Trending Lighting Technology

New and innovative technology is constantly evolving in the professional lighting field that’s changing the way venues are illuminated. Those revolutionary advancements have resulted in lighting methods that are more eco-friendly, cost effective, and formed the basis for the next great concepts. Some of the interesting and trending lighting technologies that are making an impact on the industry include the following.

Connected Tech

LEDs have become the gold standard in professional lighting for its durability, portability, and cost savings. Now LEDs have become “smart” devices with connectivity and are providing solutions as part of the Internet of Things (IoT). They can be controlled wirelessly for greater versatility.

LEDs

LED illumination for films, TV, concerts, sporting events, and even weddings was pioneered by Frank Gatto Lighting. The technology has a variety of advantages over traditional bulbs. His work in the area of LEDs has resulted in the technology being adopted by multiple industries and helped steer manufacturers in the direction of eco-friendly and cost saving LEDs rather than old-fashioned cold cathode and metal halide lighting.

Li-Fi

Light is being used for more than just illuminating surroundings. Li-Fi resembles Wi-Fi, but instead of transmitting data over radio waves, Li-Fi transmits data over the visible light spectrum. It’s a wireless technology that adherents claim is more reliable, less likely to be affected by interference, and more secure than cellular or Wi-Fi methods.

Power Tech

Drivers convert high voltages into lower voltages and protect against current fluctuations and interruptions. Drivers represent the first step in a lighting system or array, but they’re slowly being eliminated in favor of lights that don’t require drivers at all.

Sapphire

Nobel Prize winner, Shuji Nakamura, is moving LEDs from blue to violet with the application of gallium nitride on sapphire rather than an additional layer of gallium nitride. It enables better color rendering and providers longer bulb life. An LED lamp utilizing the technology is slated to hit the markets in the near future.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

Lighting Design Jobs

The interplay of illumination in any production is a significant contributor to the mood, how it will appear on screens or in person, and the comfort of the people working under those lights. Lighting directors have a wide range of work options and they can choose to specialize in particular fields.

Establishing the correct lighting for any production includes working with a diverse range of industry professionals ranging from costume designers and sound designers to choreographers and set designers. They utilize their wealth of knowledge to ensure optimal visibility while maintaining safety and minimizing costs.

Illumination is a key element for any project and the venues are almost endless. Lighting directors can find themselves in studios, at the Olympics, under water, or in the jungle providing lighting for a documentary.

Lighting directors maximize the potential and power of light. Advances in technology, the digital age, and an increasing tendency for people to make every event an extravaganza has opened new possibilities and exciting opportunities for lighting directors that include the following.

  • Theater
  • TV
  • Concerts
  • Sports
  • Movies
  • Corporate events
  • Product launches
  • Fashion shows
  • Political rallies
  • Weddings
  • Cruise ships
  • Museum art exhibitions

In recent years, exterior lighting for an increasing number of structures and architectural features have become popular. The Empire State Building is a prime example and those types of projects require the expertise of a lighting director. As with any project, it requires efficient and cost-effective solutions, along with the coordination of colors and even images.

Those that aspire to the level of lighting director should be prepared for rising early, working late, and ending the day exhausted. There’s no “typical” day for a lighting director. The work can be physically and mentally taxing, but seeing the fruits of their labors and how it affects others can be one of the most rewarding experiences ever.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

Lighting Technician are Essential

Once a lighting plan has been created for any type of production, it’s essential to have a lighting technician on any crew to ensure light sources are positioned correctly – among many other things. They have extensive experience working with equipment that’s heavy and very hot to ensure the safety of other crew members and actors.

Lighting technicians will follow the technical set-up and design plan established by the lighting director for appropriate illumination and is able to work creatively to solve any problems that arise. They’ll work closely with a wide variety of other industry specialists to orchestrate the lighting set-up needed for entire performances. Lighting technicians need a variety of skills that include:

  • Ability to work well under pressure
  • Ability to meet deadlines
  • Ability to work as a team
  • Attention to detail
  • Creativity
  • Excellent communication skills
  • High level of physical fitness
  • Manual dexterity
  • Organizational skills
  • Technical knowledge of lighting
  • Time management skills
  • Understanding and familiarity with a wide range of equipment

In the past, many lighting technicians began in lower-level positions such as transporting equipment and worked their way up the ladder. The range of equipment, techniques, and technology is much different in today’s industry. The professional environment is highly complex and a bachelor’s degree in theatrical production arts is typically required.

Anywhere illumination is required in venues ranging from movies and TV to the theatre – a lighting technician is an essential and integral part of the production. Depending upon budgetary concerns and available personnel, lighting technicians may also operate lights during a production either manually or through computer consoles. They may also be responsible for performing routine maintenance.

Whether a production is taking place on a studio set or on location in venues around the world, a lighting technician will ensure that lighting arrays are safely and properly installed. The lighting industry provides a variety of professional challenges for a highly rewarding career.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

3 Things you Should Leave to the Pros

Special celebrations of any kind require a lot of planning whether it’s a corporate conference or an awards ceremony. Hosts have enough details to worry about and it’s essential that some services be provided by experienced professionals to ensure that guests have a superior experience.

Lighting

You may not be aware, but lighting will play a major role in your event and it’s equally important if the event is held outside during daylight hours. The angle of the sun is a critical factor and can result in speakers or presenters appearing washed out. Conversely, the sun can cast harsh shadows that detract from the moment at hand.

A professional lighting and design company has the ability to illuminate for any situation whether it’s indoors or outdoors. The typical types of lighting installed in indoor structures aren’t conducive to filming and can fall far short of the desired ambiance.

Entertainment

For any grand event, you want your guests to have a memorable experience and that can include a wide variety of entertainment options ranging from vocalists and bands to Cirque de Soleil acts or a light show, all of which requires the services of a lighting professional.

It can call for spotlight illumination and can encompass special effects for the performance or an all-out laser light display synched with music. Your lighting professional will also be able to provide that type of lighting and entertainment.

Food

Guests may be conversing, dancing or participating in the entertainments offered and one thing is for certain – they’ll work up an appetite. Food is always something that should always be left to the professionals. A caterer has the experience, staff and equipment to keep everyone in attendance happy and fed. They can provide chef-prepared international cuisine, custom menus, and trendy beverages to accommodate every need.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

TV Sports Lighting Experts

The lighting and special effects that the correct illumination can create looks effortless when it’s executed properly, particularly in TV sports broadcasts. The result can be stunning and contribute to the entertainment factor. Lighting for sporting events is also immensely complicated and complex, requiring the services of professionals of the caliber available at Frank Gatto Lighting.

Lighting at sporting events must provide the right amount of illumination for athletes on the field or drivers on a race track, along with the fans in the stands. The lighting arrays must provide illumination that’s uniform in all areas of the field or track without any dark spots or shadows that will interrupt the action. Dark spots and shadows will affect the performance of the athletes.

The angle and height level of the lights are just as important as the brightness factor. Individual beams or banks of lights can distract or even blind athletes at a critical moment. It requires extensive knowledge of the type of lights being utilized, the requirements of the area to be illuminated, and a high-level of experience in the industry to provide the best range.

Sporting events don’t always occur under optimal conditions and temperatures can adversely affect the type of lights being used. Traditional arrays required significant warm up times and were extremely sensitive to temperature changes. If one light went out, an entire bank could also be affected. Lighting masters know the value of LED lighting to combat those problems and provide a more economical solution.

There are dozens of techniques and possible solutions for illuminating any sports venue and Frank Gatto Lighting is the creator of new groundbreaking LED lighting techniques that are now being used in TV sports coverage around the globe. Illuminating sporting events for TV is complex and it’s a specialty in which the company excels.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

Why LED Lighting is Cost Effective

One of the primary reasons that stadiums and entertainment arenas are transitioning to LED lights for their illumination needs is the many ways in which they’re more economical. The lights are revolutionizing everything from the illumination of TV and film sets to concerts and sports extravaganzas.

LEDs are especially popular in the entertainment industry where every dollar counts and budgetary concerns are a daily issue. They use far less electricity than traditional lighting methods so they’re less expensive to operate. LEDs have a much longer lifespan than traditional illumination methods so they don’t have to be replaced as often.

The lights are more reliable and durable than traditional bulbs. They’re not as susceptible to being bumped and or jarred and can withstand impacts that would shatter older style bulbs. The fixtures also require less maintenance. If a single bulb went out in an old-style array, all the lights were affected – a situation that doesn’t happen with LEDs.

An LED array produces more illumination than its old-style bulb equivalent. Lighting specialists can use fewer lights to obtain the same effect. LEDs take less time to set up and are easier to move, which saves money on productions of all types. The lights can produce multiple colors which can eliminate the use of expensive filters and other techniques.

Another cost effective benefit to LEDs is that they can be safely recycled since they don’t contain the dangerous chemicals found in other types of bulbs. In this instance, the cost effectiveness is found through the use of fewer resources and damage to the planet.

LEDs aren’t as affected by colder temperatures as their traditional counterparts. They can be operated in environments without the need to carry as many replacements, thereby mitigating the cost of transporting equipment.

Frank Gatto Lighting was one of the first companies to understand the value and benefits of LED illumination within a myriad of settings, along with the ability to save money for clients. The company’s innovative LED techniques for lighting venues ranging from sports to nature filmography continue to propel the entertainment industry forward.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

Frank Gatto Lighting Offers a Team of Lighting Professionals

Everyone has experienced an ill-lit venue where the light was in their eyes or it was so dark they couldn’t view the action. Correct illumination should be considered a guest at any event and Frank Gatto Lighting provides a team of lighting professionals for any event or production.

Frank Gatto pioneered a variety of techniques in the lighting industry and has won three Emmy Awards for his groundbreaking lighting design. The experts at Frank Gatto Lighting have worked around the world, bringing illumination to weddings, nature cinematography, major sporting events, concerts and award ceremonies.

The company has provided lighting for major networks around the globe, from HBO, Showtime and ESPN to Telemundo and Univsion, along with all the prime time TV networks. Frank Gatto’s work can be seen at venues that includes the World Series, NFL Countdown and Ultimate Fighting Championships. The company’s unique positioning in Florida enables it to provide services in South America and the Caribbean.

The multi-faceted company has also provided services for locations encompassing the STAPLES Center, the sports and entertainment center of the world, along with Madison Square Gardens and theatre productions. Turnkey lighting services and the use of efficient and cost effective LED technology has made them the No. 1 choice for any venue.

Frank Gatto Lighting also provides lighting evaluations and consultations for illuminating sets in the planning and preproduction phase. The company’s founder is also a highly in demand lighting master that conducts seminars on TV lighting, news sets, and sporting events.

With more than 30 years of experience in lighting venues around the globe, the name Frank Gatto Lighting has become synonymous for the highest level of professional lighting within a multitude of industries. He willingly shares his knowledge with others through his seminars to improve professional lighting opportunities for everyone.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

Renting Lighting Equipment can Save you Money

It can be far more economical to rent lighting equipment than to purchase it, especially for companies just starting out in the industry. It’s especially beneficial when a job calls for specialty lighting equipment that can be particularly expensive. An added bonus is that lighting rental companies often have a crew that will perform the heavy lifting and work of setting up and dismantling the equipment.

Renting lighting equipment is especially advantageous if a highly specific specialty lighting array is required and it’s something unique or unusual to the lighting expert’s typical work. It’s convenient to own a wide range of equipment and have it on hand, but if it’s something that may only be used once a year or even less, renting can be much more cost effective.

Automated systems are real time savers. They’re also efficient and cost effective. It can be expensive to hire a crew to man the lighting. Automated equipment can require more up-front monetary outlay even when renting, but they save on labor costs.

Less is sometimes more and those responsible for lighting venues must use their knowledge and be creative. There’s a tendency toward pomp and circumstance in everything, but not every event has to be a multi-colored spectacular. Strategic placement of lighting equipment is essential. There are multiple types of less expensive lighting options that can be rented that use state-of-the-art technology.

Another way to save money is by renting wireless lighting technology. It has the potential of reducing costs by as much as 50 percent, but can be pricy to purchase outright. The same can be true of LED lighting, though pricing is coming down. LED lighting arrays use less energy, are easier to set up, and enables lighting professionals to do more with less.

Renting lighting equipment of any kind can be an economical solution for a wide range of lighting situations and requirements. Specialty illumination and technology can be expensive to purchase. Renting can soften the cost.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

Filming in Nature

There’s a reason that nature filmography, especially of animals, is so highly prized. The shots can be incredibly difficult to capture. Cinematographers must first scout a location and even be prepared for hours of waiting while battling all the variables that Mother Nature can throw at them.

Many cinematographers are turning to assistance from drones to capture animal subjects in their natural habitat and obtain aerial shots. Drones can be equipped with different types of cameras, provide unique angles, and allows video capture that minimizes the danger to humans. However, drones are subject to the same types of environmental problems as traditional equipment.

Filmography is a day and night time endeavor, depending upon the subject. When filming at night, cinematographers may need a combination of remote, light intensifying starlight, and infrared cameras, along with thermal imaging.

Extremes of cold are challenging for people and are particularly hard on film equipment. From lights to cameras and batteries, they can all fail at a critical juncture. Those filming in very cold climates will benefit from bringing additional parts, batteries, and taking precautions that provide ways to warm equipment. It can be as simple as warming batteries with body heat or filming in short bursts.

Heat extremes can be encountered in jungles, deserts and grasslands. Aside from taking additional parts that can be interchanged if one fails, a space blanket can be used to shade and reflect heat from delicate equipment. Coolers are effective when power is available to operate them. Equipment will require protection from blowing sand or moisture in jungle environments. Don’t charge batteries if they’re hot.

Some natural phenomena, such as fog, clouds, rain and sun, can actually be used to an advantage in filming. It’s imperative that cameras and any equipment be waterproof for filming in locations that are prone to fog and unexpected rain.

In fog and snow, different camera settings will be required to pick out details rather than showing a solid wall of gray or losing the subject in the “noise” that snow creates. Clouds can appear quickly and while they can be great to mask overly bright sunlight, always travel with appropriate illumination methods to counter their effects.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

Going Back in Time

Modern lighting for TV sets has come a long way from the Golden Age of Television of the 1950s. Today’s lighting use innovative LED lighting, technologically advanced cameras, and almost everything is operated by highly advanced computer systems.

TVs of the1800s were rudimentary appliances that more closely resembled an overhead projector. The first electric TV wasn’t invented until 1927 and even as late as 1947, few households could afford one. The first TV station was W3XK and it aired its first broadcast on July 2, 1928, but it wouldn’t be until 1938 when TVs were produced for home use.

The lighting during early broadcasts was bulky and cumbersome to set up, extremely hot to work under, and resulted in images that looked dull, flat and grainy. Part of that appearance was due to the flat lighting system that was in use. It created illumination that required less lighting, fewer pieces of equipment, and was designed to save money.

Another element that affected lighting and image quality was the cameras used. The entire industry was breaking new ground and it was expensive to deliver a broadcast. Artificial lighting hadn’t been widely adopted as it had been in the cinema and still photography. Studios relied primarily on natural sunlight for illumination.

Arc lights and mercury vapor lights were the primary types of studio lighting that was used for indoor sets. Incandescent lights were later introduced in conjunction with the other two. The newsreels of the war in the 1940s broke new ground by using photofloods and it was adopted in studios.

The bright illumination of an entire set was still the preferred method. It was Desi Arnaz, husband of Lucille Ball, who helped change illumination methods. Arnaz had vision and understood the lighting techniques used in cinema. He pressured studio executives to bring Oscar-winning cinematographer, Karl Freund, on the set to create the illumination for the hit TV show “I Love Lucy.”

It wasn’t until broadcast studios began emulating the lighting and camera techniques used in cinema that images began to change for TV viewers. Broadcast TV was simply shades of black, white and gray, which further added to the flat, grainy look of early TV images.

The first color TV broadcast was aired by CBS on June 25, 1951. It required different lighting techniques and camera angles that eventually evolved into the LED illumination, advanced cameras, and computer-controlled lighting that results in images that makes viewers feel as if they’re in the studio.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.