How To Light A Film Set Like A Pro

If you have a yearning to produce a Hollywood blockbuster or your televisual debut, you may not even have thought about how best to light your set.  With your script written, actors on standby and cameras ready to roll, you may think you are ready for action.  But, in reality, lighting is an integral part of any film or television production, and one that is sadly overlooked by those that are new to the industry.

Whilst we don’t want to stifle your creativity, no production will be worth the paper it is written on if you can’t illuminate the set sufficiently to add atmosphere or simply allow you’re on-screen action to be adequately seen

If you are serious about your first film you will need to hire lighting professionals, but as a quick guide, here are the kind of lighting basics that you will need to consider:

Key Light

This will be the primary light of the scene and will offer the most intense and direct light on set. It will be used to illuminate the main focus of the scene, whether that is a subject or actor.  It will be the primary light in a three-point lighting set up and can be used to create a dramatic mood if it is placed to the side or back of an actor.

Fill Light

The fill light is used to illuminate the shadows created by the key light.  Fill lights are easy to create and can be as simple as a reflector that bounces the light back up onto your subject.

Back Light

A back light hits an actor or object from behind and is usually placed higher than the object it is lighting, giving the scene more shape and depth.

The key light, fill light, and backlight all come together to make up a three-point lighting setup.

Sidelight

A sidelight comes from the side parallel to the actor and is used for creating dramatic moods and revealing texture.This type of lighting uses strong tonal contrasts between light and dark to light three-dimensional forms

Practical Light

These lights don’t light up the set but are actual working lights within the scene itself. It could be a lamp, a TV or even police lights in an action scene.  These increase the depth of the scene and are usually dimmer that stage lights to prevent glare.

Bounce Light

A bounce light is a light that has been reflected using a specially designed piece of equipment, or by simply facing a light towards a wall or ceiling.  Bounce lights are very flexible and you can create a key, fill, backlight, and even illuminate objects in the background simply by using reflective material.

Whatever kind of lighting you need for your filming occasion, Frank Gatto & Associates can provide state of the art lighting equipment for events of all kinds.  We are one of the biggest in the business, but not so small that we don’t remember what it feels like when you are first starting out.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Behind The Scenes, But In The Thick Of The Action

No doubt about it, being involved in the entertainment industry is a buzz! Becoming a Hollywood star may not be for you, but for many people working in the industry is completely achievable if you enough talent and dedication to get you noticed.

Big television productions aren’t just about the big names in front of the camera.   There are armies of support staff behind the scenes who come together to make the magic happen.  From runners and caterers to costumiers and cameramen, everyone involved in a production has a vital part to play.

Not quite ready to become the next big thing?  Here are just a few of the important roles that take place behind the scenes:

Sound Engineers

Sound engineers have a very important part to play, after all, unless you are making a silent movie, the sound needs to be crystal clear without being deafening.   It is their responsibility to set up and operate all of the audio equipment that is right for the particular type of industry or production they are working on.   It will also be up to them to connect all the wires and cables and set up and operate sound and mixing boards throughout the audio recording.   They can be responsible for mixing the audio when the production has been recorded and added voice-overs where necessary.  They work with microphones, speakers, video screens, projectors, video monitors, and recording equipment to ensure that the sound levels are always just right.

Camera Operators

Camera operators are responsible for filming what will be shown on the screen.  Whether they are in a studio environment, or out on location, the skills they require are more or less the same.  Advances in modern technology have changed the way in which camera operators record footage.  What was once dependent on shooting and editing rolls of film, is now mostly recorded using digital cameras and editing software.

Most camera operators work in teams to ensure that every angle of the drama is captured perfectly.  They work closely with the Director or Producer as they need to follow directions that give the order of the shots.  They may also have assistants who help to set up the camera equipment and find the best angles from which to shoot.  If they are shooting a live event, they must be able to make adjustments at a moment’s notice and follow the instructions of the show’s director.

Costume Department

The costume department is responsible for creating the look and mood for actors and actresses in film, television and stage productions.  By undertaking extensive research and learning more about the characters on screen they add authenticity to every production. They will either buy the clothes, make them themselves or commission them to be made by a fashion house or design team.

From the costume designer, through to dressers and even those who are simply responsible for ensuring that the right clothes are on the right hangers, the wardrobe department plays an important role in bringing characters to life on screen.

Makeup Department

The makeup department ensures that all performers have suitable makeup and hairstyles before they appear in front of a camera.  They work across all types of productions and are usually freelance artists that bring their own equipment with them. They work to a brief that has been provided by the producer, and work along side the costume department to create the right “look”.

Whether they are simply adding basic makeup to keep presenters or performers looking fresh and shine-free under studio lighting, or using prosthetics and special effects make up for movies, they are highly skilled and talented artists in their own right.

Set Designers

A set designer is in charge of designing and creating sets for films, television, and theatre productions.  Working from rough drawings that are provided by the production team, they design and build realistic looking scenery for the production.

From working with miniature three-dimensional models of the set, to building believable backdrops for the actors to work with, set designers ensure that the scenes we see on screen look as authentic as possible.

Lighting Department

Effective lighting is essential for every type of production.  The lighting team are one of the most important crews on set and are involved in every stage of the production.  From the outset, they will make extensive preparations before recording days, including script reading and taking part in discussions about the type of lighting that is required.

They will work with the rest of the crew to discuss the logistics of the production, and usually prepare a lighting plan which provides information about the position, type, and color of all the lights to be used.  They will be on set on a daily basis and will set up and operate the lights that have been chosen for each shot, as well as add any lighting effects using equipment in the gallery. During recordings or live transmissions, any final adjustments are made as and when required.

Frank Gatto & Associates have almost 40 years experience of working with some of the best crews in the business.  Providing first class lighting solutions is what we do best.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Big Events Need Even Bigger Lighting

As a nation, we love a big occasion. The bright lights, the loud music, the roaring cheers from the crowd — we literally cannot get enough of it.  Of all the events we love the best, nothing beats world-class sporting occasions.

Here at Frank Gatto & Associates, we have been honored to supply first-class lighting for some of the biggest sporting events in the country, sometimes even the world!  We light up the sports fields and arenas so that you can see all the action.

Frank Gatto – Proudly Lighting Up The ESPN

As a global cable and satellite sports television channel, ESPN shows some of the biggest sporting events from all around the world.  With exclusive access to games, tournaments and championships, as well as behind the scenes action, ESPN is a world leader in broadcasting the best-loved sports in the world.

Our lighting Directors and Technicians are among the best known and most respected in the industry, which is why we are regularly asked to provide lighting for ESPN, whatever the occasion.

From Friday Night Fights to Game Day and College Basketball, and everything in between, we supply the lighting solutions that make help make ESPN the biggest in the business.

Baseball

Frank Gatto & Associates were asked to provide the lighting for the 2017 World Series, meaning we were in the spotlight to ensure that every inch of the action was seen by nearly 19 million viewers for every game, the highest ratings the sport has seen since 2005.

Boxing

Boxing arenas are usually housed in large buildings, and the ring and viewings areas are designed to pack a punch!  The lighting is particularly important in these types of settings, as it’s not just about the fight, it’s also about the show.  We can be seen on the set of HBO Boxing, Showtime Boxing, UFC Miami and were even there to illuminate world-class title matches like Mayweather vs. Canelo and Mayweather vs. McGregor.

Football

Huge outdoor events are also a specialty of ours.  Floodlit fields need the very best lighting to capture all of the action, whilst halftime shows need a light show that wows! Here at Frank Gatto, we have worked alongside media giant NBC to illuminate their soccer games so you can see the magic happen.

Super Bowl

The biggest and the best, the Super Bowl is the pinnacle of every player’s career and one of the most watched television events in the country.  We were truly honored to provide lighting for the Super Bowl in Miami, Fl that was watched by a staggering 85 million viewers, and have been involved ever since.

Whatever the occasion, Frank Gatto & Associates have got it covered. We provide state of the art lighting solutions for television and sporting events both in the USA and the world.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.