Epic stage performances aren’t just about great sound, the lighting is just as important when it comes to creating awesome audience experiences.  The key to stage lighting is anticipating what the music or action on stage will do and programming the lighting to complement it. A good lighting technician will blend the sound and visuals seamlessly, and to make this happen, the whole lighting team, from the Lighting Director through to the sparks, needs to be highly skilled and have a really good knowledge of stagecraft.

A carefully crafted light show can add excitement, energy, and emotion to a performance. Finding a way to coordinate the lights to change in time with the music, turns a mediocre show into an epic performance. As the tempo of the music speeds up, the lights should become more exciting too, and are experienced lighting technician will know that changes should happen on the downbeats and when the music changes parts.

Effective stage lighting enhances the emotion of the performance on stage and brings the music to life.  This is why focusing not just on the sound, but also the lighting of your production is so important to make it a truly memorable one.

Which type of lights works best with music?

There is a wide range of lights and lighting tools that can be used to create awesome live performances: The most common types of lighting include:

LED Lights

These inexpensive, low energy lights can create a myriad of color combinations at the touch of a button.  Unlike traditional lights, they don’t produce much heat making them perfect for use on stage.

Fresnels

Fresnels was a soft light and are typically used close to the stage to produce color washes.  They are easy to set up and offer uncomplicated, easy to use washes light for almost every stage set up.

Spotlights

Spots create a tunnel of light on one area of the stage.  Used to draw the audience attention to just one part of the show, these big bright lights usually follow performers around the stage.

Moving Lights

These are super sophisticated bits of kit that are controlled by a joystick.  They also offer color changing capabilities, focus the controls and have motorized shutters.

Par Cans

The stage equivalent of a car headlight with a metal casing, Par cans are very common in stage lighting setups.  They can provide a good amount of light, but they can also get super hot.

How do the lights work in time with the music?

Lights can either be programmed in advance to precisely match the action on stage via a time code or can change using performance cues. Time-coded programs are very rigid and offer little or no flexibility, while cues-based lighting is based on a technician hitting the button as the music changes.  If the lighting technicians are familiar enough with the music, they can anticipate changes and creatively move between cues or even run things manually to smooth over unexpected transitions

How is the lighting controlled?

Using a DMX Controller, a single operator can control both the light and sound via one console. These digital communications networks allow the technicians to control stage lighting and effects, including color blending, the movement of the lights, stoves and fades to offer the audience an epic live experience.

Experience operators will program the lighting scenes before the show opens.  These preset order of lighting effects can be toggled and adjusted from song to song, and the technician will work with a cold wheel to create dramatic lighting to complement the action on stage.

If you are looking for a world-class lighting show to complement your live music, speak to Frank Gatto & Associates.  With over 30 years in the business, Frank and his team are on hand to help.  Call us today at 561-368-0101.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

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