Tag: lighting for TV

Changing Studio Lights from Fluorescent to LED

Posted on by J3551CA

People watch programs for story lines and to see their favorite celebrities, but the lighting of that environment is a primary element in all studio broadcasts. Without the proper lighting, the subjects appear too dark or washed out. Improper lighting can change the color spectrum that’s captured by the cameras.

The lighting needs of broadcasts vary widely. Some companies utilize traditional fluorescent light bulbs, while others have opted to use LEDs. There are multiple facets to consider before making any changes. It doesn’t matter whether individuals are working in a broadcast studio or still photographers taking wedding photos, making an informed decision is essential.

Heat

Illumination isn’t the only thing that lights emit. Depending on the number of bulbs, the heat can be intense. Those working under the fluorescent lights can be extremely uncomfortable. Subjects sweat and makeup is ruined. Approximately 90 percent of the energy used by fluorescent lights produces heat. The other 10 percent produces illumination. Fluorescent lights are hot when in operation. LEDs remain cool to the touch through heat dissipation management and fewer lights are required to light the same area.

Eco-Friendly

Fluorescent lights contain toxic chemicals, such as mercury. They’re typically thrown in the trash when they’re no longer operational and that poses a hazard to the environment. LEDs don’t contain those elements and are 100 percent recyclable. An LED has a longer life span than a fluorescent and provides savings of approximately 25 percent through the use of less material and production costs.

Durability and Versatility

LED lights are stable and able to withstand vibrations, shocks and impacts. They perform in wind, rain and snow. Fluorescents can easily be damaged when bumped and are limited to indoor usage. LED lights can be used even in low voltage situations to produce the requisite amount of illumination, thereby preventing broadcast interruptions.

Informed Decisions

Studio work is comprised of closer range shots whether it’s in a photographic or broadcast studio. Making informed decisions about the type of illumination is essential. Companies must weigh the pros and cons of cost, heat management, and the impact on the environment.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Set Lighting Techniques

Posted on by J3551CA

At some point, everyone has viewed a film and talked about certain scenes, how they especially liked a romantic interlude or how sinister the villain looked. While the actors’ portrayal of the characters is extremely important, lighting plays a significant role in the way audiences view the characters and scenes.

The illumination of sets, scenes and even special events is the result of careful planning and a working knowledge of how lights and cameras work in harmony. It’s a task that relies on equal parts of creativity, artistic flair, and technical knowledge. Professionals work with a myriad of techniques to ensure every seen is picture perfect.

A three-point lighting set-up is comprised of key lighting, fill lighting, and backlighting – and fulfills a variety of essential functions. It illuminates subjects from three directions and focuses attention on the actors. The technique is used to control shadowing. It can also be combined with backlighting for a four-point system.

Key lighting will be most prominent and will be focused on the area or individual that is to be emphasized. Fill lighting penetrates the dark corners and shadows, while backlighting is used to the rear of the subject and typically from a higher angle to add depth.

Two types of illumination utilized by filmmakers are soft lighting and hard lighting. This lighting is emotional in nature and contributes to how audiences perceive a scene. Soft lighting makes use of increased key lighting to balance the light ratio, thereby creating a scene that has virtually no shadows at all. Diffused overhead lighting is also soft and is especially effective for close-ups and conversations between actors.

In contrast, hard lighting utilizes bright sunlight or smaller light sources to create and heighten shadows. It’s used to great effect for heightening scary and dramatic scenes, along with volatile, suspicious and dangerous situations in filming.

Motivated lighting is a technique that enables shooting in an enclosed studio while imitating other types of existing lights that might be experienced in everyday life situations. This type of lighting can emulate everything from an 18th-century lamp to sunlight from a window.

Last but not least is natural lighting that’s especially effective when shooting on location. Mother Nature creates some stunning effects, but they can be enhanced with carefully placed lights and illumination techniques that are benchmarks of a professional.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

How to Light Live TV

Posted on by J3551CA

When it comes to live TV, you literally only get one chance to make a first impression.  Everything is captured exactly as the action happens, meaning that if something goes wrong, there is no way of editing it out or starting again.

The cameramen, the sound crew and of course the lighting guys all need to be ready and waiting to capture everything and be on standby to deal with anything that could, and often does happen.

Lighting Live TV – How to Make It Happen

Illuminating a live set is a challenge, but it can be done.  Experienced lighting directors and their crew will have no problems in creating a lighting plan that takes into account any sudden changes or potential problems that could arise during the filming.

As a basic guide to lighting a live TV production, the following lighting set up can help ensure that the newbies are ready for anything:

Get Set to Capture the Action

Your first light on set should be the key light that is positioned about forty-five degrees to the side of the camera.  Whether you are recording live tv or pre-recorded, your key light is vitally important.  Your key light should be focused on the main subject, so get ready to move it around should your subject make any sudden movements (think Tom Cruise on Oprah’s sofa and you get the idea).

Your backlight should be placed directly behind the subject, in line with the camera.  Flood that light down at a forty-five-degree angle to produce a crisp, but subtle border around your subject.

The fill light should be set at about half the intensity of your key and backlights, in order to provide a softer glow that doesn’t produce any harsh shadows.  And finally, your background light should be subtle and unobtrusive and merely there to bring the background up to an acceptable level.

Be Ready for Anything

Preparation is the key when it comes to successfully lighting live studio situations.  Even though the Director has probably spent serious time explaining to the guests that this is where they should stand or sit, and this is the camera they should look and speak into, things can still go mobile in an instant.

Being able to direct the entire lighting set up to follow the action is an absolute must, as suddenly losing an excited guest in a sudden sea of darkness is a definite no-no!

There are two ways of handling wayward actors or TV guests when it comes to keeping them illuminated.  If they suddenly move along an obvious line through the studio, call upon your extra fill lights to overlap the distance and create a reasonably level constant light. If you have planned your lights to overlap, this shouldn’t cause too much of a drama when it happens.

Random movements can cause bigger problems, but a reliable base light should help keep the worst of the shadows at bay.  Not entirely ideal, but sometimes the best you can do at short notice, the base light will keep all shadows within an acceptable contrast range.  For more improved lighting, have the director, presenter or anyone on set gently persuade the subject to return to their original positions.

Expert Live TV Lighting from Frank Gatto & Associates

You can’t control live television, and that is exactly why it is so exciting to watch.  From a crew perspective, it can make for a more challenging proposition, but never one that is impossible.

With over 30 years of experience behind them, the team at Frank Gatto & Associates are skilled enough to capture all of the action, no matter what happens.  If you have a live studio event that needs to be captured in all its glory, speak to the experts at Frank Gatto today at 561-368-0101.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

What Are LEDs and Why Do They Last So Long?

Posted on by J3551CA

Advances in modern technology have meant that you can now illuminate your home, venue or other area with low-energy, cost-effective, long-lasting light sources that offer the same amount of light as traditional light bulbs, without the heat and expense.

LED (Light Emitting Diodes) use very little energy and last a really long time.  Unlike energy saving light bulbs, they light up instantly and do not take time to reach the desired brightness, making them the perfect choice for venues or events looking for full illumination at a fraction of the cost.

These types of modern LEDs produce light in a totally different way to how old-fashioned incandescent bulbs do.  With incandescent light bulbs, the electricity is passed through a thin wire filament, With LED light bulbs, the light is produced with the use of a semiconductor that emits light energy when the electrical current is passed through it.

While it is true that LEDs can be more expensive to purchase initially, the low energy output and long shelf life make them an excellent investment for anyone looking to maximize their lighting abilities, either in the home or within a professional environment.

How Do LEDs Last So Long?

Because LEDs are as much as 90% more effective than incandescent light bulbs, they have a much longer lifespan. This is because they have no working parts that will burn out or break over time.

An average LED light is a very robust piece of kit.  They are solid-state devices with no glass to break, nothing to wear out and they are not made from fragile glass that is likely to break.  In turn, this means that they will last a whole lot longer than regular light bulbs.

For the technically minded, the way they produce light is a crucial element of their longevity.  Because they are made of substrate semiconductor materials and have two specific two doped regions, P – positive and N – negative. When current passes through the PN junction it causes electrons to jump to higher atomic energy states. When the electrons return to the ground state, light in the form of photons is emitted. This phenomenon is called electroluminescence and it consumes very little energy since very little heat is generated.

How Long Should an LED Light Bulb Last For?

Well, if it has no way of burning out or becoming damaged, technically it should last forever?  If you invest in LED lights for your home, it may well be the last time you have to purchase light bulbs for a very long time indeed.

LEDs are touted to have a 50,000-hour average life. This is a massive increase in lifespan when you consider that the average life of a halogen 50-watt bulb is only between 1,000 and 2,000 hours.

How the LED is fitted and how long it is used for will obviously affect the real-world efficiency of your light source.  For example, an office that is lit for 10 hours a day using an LED light source should only have to replace the LEDs every 8-9 years.  A homeowner with LED lights in the living room, where lights are only one for a few hours a day, may not need to replace them for almost 20 years!

Frank Gatto LED Stage Lighting Solutions

LED lighting has completely transformed the way in which are able to illuminate studio sets, outdoor broadcasts and large events and occasions.  Our state-of-the-art LED lighting solutions provide high output, flicker-free, single-source lighting that runs cool with low current draw, saving up to 90% in energy costs while still providing the best-looking lighting for every event.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

How To Creating Effective Lighting For Live Television

Posted on by J3551CA

There are very few elements of live television that have as profound an effect as lighting does.  Get it right, and you are adding a whole new dimension to the action taking place in front of the camera, get it wrong and everything is ruined.

Great lighting enhances the mood, focuses the viewer’s attention, and enables the audience to clearly see what the director wants them to see. It also controls the quality, color temperature, and intensity of the broadcast image, making it one of the most powerful elements of any television broadcast.

To ensure that live television lighting is on point and ready to handle anything that happens on set, the lighting needs to be carefully planned and executed just so.

Here are some of the ways in which a highly skilled Lighting Director and his team ensure that live television lighting really works.

Finding The Right Type Of Lighting

Studio lighting is not actually much brighter than the lamps and pendants you would find in your own home.  It is, however,  light years apart when it comes to quality.  Quartz lamps, Fresnel lenses, and LED lights are the most common types of light found in a studio environment or on an outside broadcast.

Quartz lenses are the most traditional type of lighting used in production work, and while they produce perfect illumination, they can also get very hot and use a lot of electricity.  LED lights, however, are a more recent addition to every Lighting Directors powerful inventory, and work just as well, but without the high temperatures and extreme power usage

The Use Of Spotlights

Fresnel lenses are used to convert a small amount of bright light on to one particular area of the set.  They can be remotely controlled to alter the direction and the intensity of the beam.  Used to focus the attention of the viewer on one area of the picture, spotlights can lead the viewing experience away from other events happening in front of the camera.

Eliminating Shadows

Bright lights create shadows that can completely wipe out areas of the set.  The trick to creating effective lighting is to find a way to reduce these shadows.  Lighting Directors use a technique called “diffusion” to diminish light that may otherwise be too bright and overpowering on the set. Diffusion is created by shading the light with a translucent or opaque fabric, made from heat-resistant material that won’t melt or catch fire due to long exposure and close proximity to powerful studio lighting.

Reflecting The Light

A “scoop” is a tool that is used to reflect the light. Reflected lights create a soft glow that casts its light over a general area.  Often used for background and standard set lights, these concave pieces can also be used with colored lenses and filters to create more subtle and flattering lighting effects.

Measuring The Light

Lighting meters are used to ensure that all of those lights and accessories don’t overwhelm the camera equipment of the action taking place.  Light meters assess the light intensity in one particular area that is on-camera so that the light technicians can make changes were necessary.

When your subject is the focal point of your live broadcast, they need to ensure the foreground lights are brighter than the background lights.  Light metering tells the operators how the lights are affecting the overall appearance on camera.

Controlling The Light

 Using remote DMX consoles, highly skilled lighting technicians can change the mood and look of the action in front of the camera with just the click of a button.  On a film set, the lighting team will usually have a lighting plan to follow, in live TV, however, situations arise that cannot be pre-planned.

Frank Gatto & Associates provide lighting solutions for live television events for some of the biggest names in the industry, including HBO, ABC, ESPN, CBS, NBC, Fox, Showtime, Telemundo, and Univision.

If you would like to find out more about the services we provide, call us today at 561-368-0101.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Everything Lighting For Every Event

Posted on by J3551CA

Frank Gatto & Associates – Everything Lighting For Every Event

Here at Frank Gatto & Associates, we have over 30 years experience of being the very best in the business.  We provide a one-stop-shop service for indoor and outdoor events and have worked with some of the biggest production companies, movie companies and broadcasters in the world.

We don’t like to name drop, but when you have worked with the likes of HBO, ABC, ESPN, CBS, NBC, Fox, Showtime, Telemundo and Univision, we sort of can’t help but tell the world all about it.

Lighting For Every Occasion

As a result of our first class reputation within the entertainment industry, you can find our lighting crews on the set of College Gameday, NFL Countdown, World Series, Ultimate Fighting Championships and many more sporting events.

But it’s not just the big boys that we work for.  We can also provide lighting solutions for more intimate affairs including corporate events, award ceremonies, parties and even weddings.

First Class Lighting Design

We understand that the way light is used to create mood and atmosphere can add a whole new dimension to any event.  That is why we cleverly craft entire lighting design strategies, that align perfectly with the production values of any live show, television set or outdoor event.

Our experienced team are wizards at the lighting desk and can illuminate shadows at the click of a finger. We have worked at such prestigious venues such as Madison Square Garden, the Home Depot Center, Staples Center and large Sports Arenas, but are just as happy to light up smaller venues, conventions centers, theaters and even large private houses.

Professional Rigging

Our lighting rigs are designed using only the highest quality components.  We work to pre-planned set designs and have extensive experience of using a wide array of lighting techniques and equipment.  We work with state of the art lighting equipment to make every production a success, and our acquisition and operation of new LED lighting technology make us a leader in the televised sports lighting arena.

Speedy Assembly

Our crews can set up and assemble lighting rigs in almost any environment.  Fully trained to work in collaboration with all other members of the production crew, they will work tirelessly away in the background to construct lighting rigs that really work.

Easy Transportation

Because of our unique Miami location, we are easily able to access almost every area of the United States and into the Caribbean and beyond.  Our transportation vehicles can carry everything needed for a single event, and our crews are always on time!

Super Fast Load Out

We take the strain out of the cleanup operation by safely taking all of our rigging and equipment away from the venue, and restoring it to its former state quickly and without a fuss.

Eco-Friendly Disposal

We know that the safe disposal of lighting elements is important to both the environment and public safety.  That is why we always take our used and blown bulbs and lighting equipment with us for safe disposal.

Frank Gatto & Associates For All Your Lighting Needs

Here at Frank Gatto & Associates, we provide first-class lighting solutions for a wide range of indoor and outdoor events and film productions.  Speak to us today on 561-368-0101 to find out more about our first class film and TV lighting services.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Show Your Best Side – Why Lighting Matters On Camera

Posted on by J3551CA

The correct lighting is essential for producing first class, highly usable footage.  Whether you are making a movie or recording a live event, the lighting that you use makes all the difference. It enhances the way the performance looks and the way it makes the audience feel.  It can create the illusion of depth by using a combination of highlights and shadows,  that help the viewer to really capture the essence of the footage, as well as giving them the best seats in the house.

Specially designed lighting will ensure that you have the right level of exposure throughout and will ensure that your audience is able to see everything that is unfolding before their eyes.  Outdoor events, as well as indoor lighting, can all be dramatically enhanced to give maximum impact when you use the services of a qualified lighting specialist on set.

Lighting is not only useful for ensuring that every aspect of the production is easy to see, a professional lighting expert can also use tricks and illusions to create mood and feeling.  Using the right combination of light placement and “hard” or “soft” light sources, a lighting director will be able to unsettle the audience for dramatic moments or lift the mood with glorious onscreen images.  “Hard” lighting creates sharp and distinctive shadows to accentuate tension and drama, while “soft” lighting adds warmth and ambiance.

Good Lighting Is The Key To Successful Video Footage

Carefully crafted lighting will increase the sharpness of the action and be the difference between a good video, and one that looks really poor quality on screen.

Badly lit footage will also need far more work in the editing suite.  Footage that is too dark will need to be re-shot, adding extra time and expense to your schedule, and in some cases, can even mean missing out on parts of the action.  Using the wrong lighting can lead to unnecessary costs and a longer production time, which could have been prevented.

The lighting design helps to set the mood for any movie scene or television pieces,  as it conveys the plot and creates the right atmosphere. The key to using the right lighting is to enhance and engage with the basic concepts of the “Three Point Lighting” system. This system consists of three different lights, which are placed in front and behind the object to ensure maximum exposure.

The Key Light is placed next to the camera and shines directly onto the object.

The Fill Light is opposite the Key Light and is used to fill in shadows and leaving the object well lit.

The Back Light is placed behind the object and gives it more depth.

This is the standard method of lighting that is used in all kinds of productions, from small-scale videos to live events that are watched all around the world. Once you have the mastered the basics, there are many more ways to enhance the look of on-screen action to capture the most perfect cinematic moments.

Here at Frank Gatto & Associates, we have over 30 years experience of designing the ultimate lighting configuration to enhance every type of TV or movie shot.  Call us today at  561-368-0101 to find out more.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

How To Light A Film Set Like A Pro

Posted on by J3551CA

If you have a yearning to produce a Hollywood blockbuster or your televisual debut, you may not even have thought about how best to light your set.  With your script written, actors on standby and cameras ready to roll, you may think you are ready for action.  But, in reality, lighting is an integral part of any film or television production, and one that is sadly overlooked by those that are new to the industry.

Whilst we don’t want to stifle your creativity, no production will be worth the paper it is written on if you can’t illuminate the set sufficiently to add atmosphere or simply allow you’re on-screen action to be adequately seen

If you are serious about your first film you will need to hire lighting professionals, but as a quick guide, here are the kind of lighting basics that you will need to consider:

Key Light

This will be the primary light of the scene and will offer the most intense and direct light on set. It will be used to illuminate the main focus of the scene, whether that is a subject or actor.  It will be the primary light in a three-point lighting set up and can be used to create a dramatic mood if it is placed to the side or back of an actor.

Fill Light

The fill light is used to illuminate the shadows created by the key light.  Fill lights are easy to create and can be as simple as a reflector that bounces the light back up onto your subject.

Back Light

A back light hits an actor or object from behind and is usually placed higher than the object it is lighting, giving the scene more shape and depth.

The key light, fill light, and backlight all come together to make up a three-point lighting setup.

Sidelight

A sidelight comes from the side parallel to the actor and is used for creating dramatic moods and revealing texture.This type of lighting uses strong tonal contrasts between light and dark to light three-dimensional forms

Practical Light

These lights don’t light up the set but are actual working lights within the scene itself. It could be a lamp, a TV or even police lights in an action scene.  These increase the depth of the scene and are usually dimmer that stage lights to prevent glare.

Bounce Light

A bounce light is a light that has been reflected using a specially designed piece of equipment, or by simply facing a light towards a wall or ceiling.  Bounce lights are very flexible and you can create a key, fill, backlight, and even illuminate objects in the background simply by using reflective material.

Whatever kind of lighting you need for your filming occasion, Frank Gatto & Associates can provide state of the art lighting equipment for events of all kinds.  We are one of the biggest in the business, but not so small that we don’t remember what it feels like when you are first starting out.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Behind The Scenes, But In The Thick Of The Action

Posted on by J3551CA

No doubt about it, being involved in the entertainment industry is a buzz! Becoming a Hollywood star may not be for you, but for many people working in the industry is completely achievable if you enough talent and dedication to get you noticed.

Big television productions aren’t just about the big names in front of the camera.   There are armies of support staff behind the scenes who come together to make the magic happen.  From runners and caterers to costumiers and cameramen, everyone involved in a production has a vital part to play.

Not quite ready to become the next big thing?  Here are just a few of the important roles that take place behind the scenes:

Sound Engineers

Sound engineers have a very important part to play, after all, unless you are making a silent movie, the sound needs to be crystal clear without being deafening.   It is their responsibility to set up and operate all of the audio equipment that is right for the particular type of industry or production they are working on.   It will also be up to them to connect all the wires and cables and set up and operate sound and mixing boards throughout the audio recording.   They can be responsible for mixing the audio when the production has been recorded and added voice-overs where necessary.  They work with microphones, speakers, video screens, projectors, video monitors, and recording equipment to ensure that the sound levels are always just right.

Camera Operators

Camera operators are responsible for filming what will be shown on the screen.  Whether they are in a studio environment, or out on location, the skills they require are more or less the same.  Advances in modern technology have changed the way in which camera operators record footage.  What was once dependent on shooting and editing rolls of film, is now mostly recorded using digital cameras and editing software.

Most camera operators work in teams to ensure that every angle of the drama is captured perfectly.  They work closely with the Director or Producer as they need to follow directions that give the order of the shots.  They may also have assistants who help to set up the camera equipment and find the best angles from which to shoot.  If they are shooting a live event, they must be able to make adjustments at a moment’s notice and follow the instructions of the show’s director.

Costume Department

The costume department is responsible for creating the look and mood for actors and actresses in film, television and stage productions.  By undertaking extensive research and learning more about the characters on screen they add authenticity to every production. They will either buy the clothes, make them themselves or commission them to be made by a fashion house or design team.

From the costume designer, through to dressers and even those who are simply responsible for ensuring that the right clothes are on the right hangers, the wardrobe department plays an important role in bringing characters to life on screen.

Makeup Department

The makeup department ensures that all performers have suitable makeup and hairstyles before they appear in front of a camera.  They work across all types of productions and are usually freelance artists that bring their own equipment with them. They work to a brief that has been provided by the producer, and work along side the costume department to create the right “look”.

Whether they are simply adding basic makeup to keep presenters or performers looking fresh and shine-free under studio lighting, or using prosthetics and special effects make up for movies, they are highly skilled and talented artists in their own right.

Set Designers

A set designer is in charge of designing and creating sets for films, television, and theatre productions.  Working from rough drawings that are provided by the production team, they design and build realistic looking scenery for the production.

From working with miniature three-dimensional models of the set, to building believable backdrops for the actors to work with, set designers ensure that the scenes we see on screen look as authentic as possible.

Lighting Department

Effective lighting is essential for every type of production.  The lighting team are one of the most important crews on set and are involved in every stage of the production.  From the outset, they will make extensive preparations before recording days, including script reading and taking part in discussions about the type of lighting that is required.

They will work with the rest of the crew to discuss the logistics of the production, and usually prepare a lighting plan which provides information about the position, type, and color of all the lights to be used.  They will be on set on a daily basis and will set up and operate the lights that have been chosen for each shot, as well as add any lighting effects using equipment in the gallery. During recordings or live transmissions, any final adjustments are made as and when required.

Frank Gatto & Associates have almost 40 years experience of working with some of the best crews in the business.  Providing first class lighting solutions is what we do best.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Big Events Need Even Bigger Lighting

Posted on by J3551CA

As a nation, we love a big occasion. The bright lights, the loud music, the roaring cheers from the crowd — we literally cannot get enough of it.  Of all the events we love the best, nothing beats world-class sporting occasions.

Here at Frank Gatto & Associates, we have been honored to supply first-class lighting for some of the biggest sporting events in the country, sometimes even the world!  We light up the sports fields and arenas so that you can see all the action.

Frank Gatto – Proudly Lighting Up The ESPN

As a global cable and satellite sports television channel, ESPN shows some of the biggest sporting events from all around the world.  With exclusive access to games, tournaments and championships, as well as behind the scenes action, ESPN is a world leader in broadcasting the best-loved sports in the world.

Our lighting Directors and Technicians are among the best known and most respected in the industry, which is why we are regularly asked to provide lighting for ESPN, whatever the occasion.

From Friday Night Fights to Game Day and College Basketball, and everything in between, we supply the lighting solutions that make help make ESPN the biggest in the business.

Baseball

Frank Gatto & Associates were asked to provide the lighting for the 2017 World Series, meaning we were in the spotlight to ensure that every inch of the action was seen by nearly 19 million viewers for every game, the highest ratings the sport has seen since 2005.

Boxing

Boxing arenas are usually housed in large buildings, and the ring and viewings areas are designed to pack a punch!  The lighting is particularly important in these types of settings, as it’s not just about the fight, it’s also about the show.  We can be seen on the set of HBO Boxing, Showtime Boxing, UFC Miami and were even there to illuminate world-class title matches like Mayweather vs. Canelo and Mayweather vs. McGregor.

Football

Huge outdoor events are also a specialty of ours.  Floodlit fields need the very best lighting to capture all of the action, whilst halftime shows need a light show that wows! Here at Frank Gatto, we have worked alongside media giant NBC to illuminate their soccer games so you can see the magic happen.

Super Bowl

The biggest and the best, the Super Bowl is the pinnacle of every player’s career and one of the most watched television events in the country.  We were truly honored to provide lighting for the Super Bowl in Miami, Fl that was watched by a staggering 85 million viewers, and have been involved ever since.

Whatever the occasion, Frank Gatto & Associates have got it covered. We provide state of the art lighting solutions for television and sporting events both in the USA and the world.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.