Spotlight on Outdoor Lighting

Here at Frank Gatto & Associates, we are often called upon to light up outdoor filming, concerts and sporting events to make sure that they look absolutely awesome at all times. 

With over 30 years’ experience in the lighting industry, we know tons of stuff about how best to light up an outdoor scene, but in this week’s blog, we thought we would share some of the basics with you.

Sunlight is the best light

Sunlight is the most beautiful light on earth, and if you can harness its beauty to its full potential you won’t need any other light to make your production look ace.  But to ensure that you get the most from that big ball in the sun you need to be able to control where or when it will shine, and how it will affect the overall look of your production. 

Understanding the Principles of Outdoor Light

At its brightest, the sun can shed more than 10 times the light of one typical indoor instrument. The downside to this is that when it shines brightly, it also casts very dark shadows.  The difference between these light and dark areas is commonly called the contrast ratio, or contrast range.   Our eyes can compensate for the high contrast range of a bright day, but cameras often don’t cope so well and need a much lower range to be able to capture detail accurately.

The goal of outdoor lighting design is to lower the contrast range without damag­ing the natural look of the subjects and the outdoor setting. As we already mentioned, the very best outdoor light source is the sun, but the light it gives off needs to be diffused or redirected to point the light in the right direction and alter the way in which it illuminates the subject.

Reflect the Light

Learning to use reflectors is easy as light bounces in predictable angles, meaning you can move reflectors around to help redirect the light.  When you are working outside, portable, lightweight, collapsible reflectors are available in a range of sizes and colors that will reflect the sunlight back upon the subject and reduce the shadow.

Reflectors only really vary in terms of their size, how much area their reflection covers and the color of the light they reflect.  All of this will be determined by the size and style of the reflector. Mirrored surfaces reflect the most light over a small area, while white surfaces usually cover larger areas, but with less light. Some reflectors have a gold foil sur­face that is used to bounce the light with a warm, rich quality that really flatters skin tones, making these a favorite with actors on location.

Diffuse The light

Diffusers are used to filter beams of sunlight and just like reflectors they are easy to use to help harness the light from the sun. Diffusing sunlight is an effective technique that removes shadows and reducing contrast. It does an excellent job of brightening dark areas while retaining much of the outline and contour.

A diffuser can be made from a wide variety of materials, but it is the porosity of the same that determines how much light passes through.  The diffuser will need to be suspended or positioned between the subject and the sun, and its positioning will dictate how the shadows fall and where.

Outdoor and Location Lighting from Frank Gatto & Associates

If you have outdoor lighting requirements, we are on hand to offer professional, practical and awesome lighting wherever you need it.  Call us today at (561) 368-0101 to find out more about our first-class lighting solutions.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Is Outdoor Lighting Really Necessary for Your Production?

You may think that when you are filming outside, that the natural sunlight will be enough to light your set.  The truth of the matter is that natural sunlight is not always enough to make your set shine.

The use of artificial lighting outside is just as important as it is when filming inside.  Every scene needs to be correctly illuminated from every angle to create ambiance and enhance the action.

If you are unsure of how best to get your outdoor lighting working well, try these tops tips from the experts at the award-winning Frank Gatto & Associates:

  1. Work with What You Have

While we agree that you do need extra lighting to enhance your film shoot or live event, you can still find ways to make the natural light work in your favor.  The big blazing ball of light in the sky does have its uses when it comes to location shots, and while you cannot control its position or intensity you can move the action down on the ground to make the most of it.  Where you stand will affect the way the footage looks, so move into the shadow if the light is too bright or shoot with the sun behind or to the side to create a more dramatic effect.

  1. Harness the Magic

Every photographer and cameraman worth their salt knows all about specific times of the day when the sun casts a magical light over everything below.  The “Golden Hour” as it is known, is a short period of daytime just after sunrise or before sunset, during which the daylight is redder and softer than when the Sun is higher in the sky.  If you can position the action down below just right, you can create intense lighting effects using nothing more than the sun at its highest point. Be ready, however, with your lighting rigs or stand-alone equipment to continue your filming as the light fades or changes.

  1. Be Bold

If you are holding an outdoor event during the day, the sunlight will mean that your audience can see the action on stage, but will they be able to “feel” it?  Festivals, concerts or sporting events often need much more than just a soft light to be a success. Add colors and strobes that dance to the beat, or pyrotechnics that explode when a goal is scored.  All of these effects require the addition of state-of-the-art lighting equipment and a competent team of technicians to make it happen.

  1. Control the light

Whether you are using portable lighting equipment or relying on the light from the sun, it is important that you are able to control the light and the shadows it casts as much as possible.  An experienced outdoor lighting crew will know exactly how and when to use light blockers, flags, reflectors, and bounce boards to control the direction of the light and add ambiance to your set or stage lighting.

  1. Be prepared

Any changes in the natural light can wreak havoc on your filming schedule.  Cloud cover, early sunsets and even changes in atmospheric conditions can all alter the way the light appears on film.  To limit time lost to poor lighting conditions have a portable lighting set up with you on the day.  Tripod lights, diffusers, and reflectors, as well as a variety of camera lenses, should help to protect you against poor natural lighting conditions.

Whatever you are planning to capture on film or whatever kind of outdoor event you are holding, Frank Gatto & Associates have all the experience you need to ensure that the light is always just right.  Call us today at (561) 368-0101 to find out more.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.