Why Add Smoke to Enhance Lighting

Smoke machines, are wonderfully versatile machines that can produce a variety of atmospheric effects, and it’s important to note that they’re not the same as a fog machine. The primary difference is that smoke rises, doesn’t take long to fill a room, and disperses quickly throughout an entire area whereas fog typically stays close to the ground.

A smoke machine will be the tool of choice for the spooky effects of TV and films in the horror genre, for concerts and theatre productions, and when shots require the entire room to be smoky. The smoke can be used for highlighting special lighting effects, especially for laser light shows, on dancefloors and concert venues.

The downside is that the smoke dissipates fairly quickly and can set off fire and smoke alarms. If not closely controlled, it can obscure images but it’s also one of the most cost effective special effects methods to use. Consumer models are available, in addition to fog machines, that are extremely popular as part of Halloween festivities.

A smoke machine is ideal for recreating the smoke-filled atmosphere of a speakeasy and a gently blowing fan will create air currents for a misty feeling reminiscent of “dream sequences.” The machines are appropriate for producing theatrical smoke for TV and the cinema, along with still photos and the theatre stage to create a specific mood or atmosphere.

They have the advantage of containing control panels that allows special effects professionals to accurately control how much smoke is added, when, and from what direction. Smoke reflects and refracts light, making it particularly effective when a special effect is required, but audiences aren’t supposed to detect it.

Smoke machines can simulate smoke coming from a wrecked vehicle, used as a scene transition on the stage, and to facilitate dramatic entrances at concerts and sporting events. It’s equally effective for sci-fi type effects or to create an alien landscape. The uses of a theatrical smoke machine are many and varied, making the devices a favorite of special effects creators.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

            

Managing Heat with LED Lighting

Economy of operation is one the primary reasons that many industries are installing LED lighting. The technology also has operating temperatures that are below that of traditional methods of illumination, but LEDs still require a heat distribution system to manage thermal output.

LEDs don’t produce heat through infrared radiation, so they remain cool to the touch, but heat is generated within the device itself. The level will depend on whether the light is pulsed, steady, the wattage of the LED units, and junction temperatures.

Heat must be dissipated from LEDs for them to operate at top efficiency. If that energy isn’t siphoned off in some way, they become less reliable, inefficient, and emit less light. The illumination output is higher in cooler environments, making it essential for some type of heat sink or means of dispersing the generated heat.

Most high-quality LED lamps and fixtures are equipped with heat sinks that reduce the build-up of heat. Additional assistance may be required when the lights are used for long periods of time or at maximum output. Altering the housing surrounding the LEDs or adding fins can provide better heat transference away from the lights.

Fans are also convenient for forcing air past the LEDs to dissipate heat, but won’t be feasible for all types of applications. Liquid coolants offer another method of heat distribution and can be placed in fairly close proximity to the lights. When liquid coolants are prohibited due to safety regulations, thermal electric cooling (TEC) can be utilized that allows individuals to precisely control the level of cooling desired.

LEDs offer a variety of benefits over traditional means of illumination, but professionals will still encounter problems with heat distribution. Any materials used to transfer heat away from the lights should be able to move that thermal energy both vertically and horizontally for optimal performance.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

            

How to Become a TV Lighting Designer

If you’re one of the people that have a fascination for lighting and dream of a career in TV, be prepared to learn much more than techniques and methods. Your ultimate job will be to create and design lighting solutions that are innovative, cost-effective and energy-efficient for the production you’re working on. That may entail illuminating indoor and outdoor environments.

You’ll need a comprehensive education that encompasses topics ranging from architecture and theatre history to art and literature, along with industry-specific software. Education requirements can vary widely by employer and you may need a minimum of a bachelor’s degree, while other companies will want a master’s degree.

High school theatrical productions are a good place to begin learning and don’t forget to look for internship opportunities whether you’re in high school or college. Film and photography clubs at the high school level will assist in understanding the interplay of light in different atmospheres.

Many high schools perform stage productions that provide valuable experience. Even small communities often have theatre groups that would welcome assistance designing and creating sets. Lighting tradeshows are also an opportunity to learn about the newest techniques, technology, and methods. Manufacturers demonstrate their products and experienced design professionals are often in attendance to hold discussions.

Math is also an essential skill since one of your responsibilities as a lighting designer will be to create the most cost-efficient projects. The grounding in math will also be utilized to measure and calculate the illumination required and the positioning of different types of lights for each project.

The future illumination you’ll provide will incorporate multiple factors that include the size of the venue to whether it’s an event that takes place in the daylight or nighttime. You’ll also need to know how to perform lighting simulations and a myriad of other tasks.

A TV lighting designer has a wealth of opportunities for creativity and innovation within the industry. It’s also a profession that offers a high degree of satisfaction that will enable you to stretch your talent and skill to the limit.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

How Lighting can Affect Colors Seen on TV

We’ve all experienced watching a TV broadcast where the colors didn’t seem right. Maybe the hues were off, the images looked washed out, or shadows dominated the screen, leaving viewers questioning if it was time to replace their television. More often than not, the issue isn’t the TV itself but the lighting setup used during the broadcast. The problem can originate from various factors, such as the studio’s lighting arrangement, the camera technology, or even the lighting conditions in our homes. In some cases, curved screens can also distort the light in brightly lit environments, adding to the visual confusion.

How Lighting Affects TV Broadcast Quality

The quality of a television broadcast depends on several key factors, and lighting plays a critical role in reproducing images and colors on the screen. When lighting is not managed properly, it leads to color distortions that can make the viewing experience less enjoyable and visually off-putting. Let’s explore some of the core reasons why lighting plays such a significant role in broadcast quality.

1. Studio Lighting: The Core of the Issue

When the lighting problem originates in the studio, viewers can do little to fix it. In these cases, the issue stems from how lighting is set up to interact with the cameras used to capture the images. Broadcast studios rely on a highly controlled lighting environment to create the best possible picture quality. If the lighting is poorly positioned, unfocused, or the wrong type is used, it will directly affect how colors appear to audiences at home.

One common issue is the type of illumination being used in the studio. Different lights emit varying qualities of light, which can cause the camera to capture colors inaccurately. For instance, specific lighting setups may not highlight details or tones accurately, leading to unnatural skin tones, incorrect hues, or even dullness in the overall picture. This problem can be exacerbated if the filters applied to the studio lights are not suited for the job.

Lighting professionals need to be precise about where they place lights, what type of illumination they choose, and how they focus them to ensure the cameras capture the images as realistically as possible. Inadequate lighting or mismanagement of the lighting setup can lead to visual inconsistencies that ultimately affect the viewing experience.

2. Brightness and Color Accuracy

Another important aspect of lighting that affects TV broadcasts is brightness. The amount of light emitted in a studio setting can drastically alter the appearance of colors on screen. Too much illumination, for example, will create a washed-out effect, making images appear dull and devoid of rich contrast. This is why broadcasts shot under excessively bright lighting often look flat or lack the depth and vibrancy viewers expect.

On the other hand, too little light can result in unwanted shadows that obscure details and make it difficult for cameras to capture true-to-life colors. Insufficient lighting can also cause colors to appear darker or more muted than they should be. Striking the right balance in brightness is essential for producing a high-quality broadcast that accurately reflects the subject matter’s color and form.

3. The Role of Cameras in Color Reproduction

While lighting plays a foundational role in determining the quality of a broadcast, cameras also significantly impact how colors appear. Not all cameras detect and process color wavelengths in the same way, an important factor that professional lighting experts consider when designing the lighting scheme for a broadcast.

Cameras are designed to detect and capture color using a model based on primary colors, but they can only do so within their sensors and technology limitations. Suppose a camera needs help to detect a specific shade or hue. In that case, it may estimate the color based on primary colors or shades of gray, which can result in an inaccurate representation of what is being filmed.

Professional lighting experts work closely with camera operators to ensure the cameras can adequately capture the color spectrum within the lit space. This involves careful consideration of both the lighting equipment and the cameras’ technical capabilities.

4. Curved Screens and Ambient Lighting

In addition to studio lighting and camera technology, the environment in which viewers watch TV can also influence how colors appear on the screen. Curved screens, for instance, can distort light in brightly lit environments, leading to an uneven or skewed picture quality. This is because curved screens are designed to offer an immersive viewing experience by wrapping the image around the viewer’s field of vision. However, when placed in a room with significant ambient lighting, reflections can bounce off the screen in unusual ways, distorting the colors and contrast on display.

To mitigate this issue, viewers should be mindful of the lighting in their home environment. Dimming ambient light sources or rearranging the placement of lamps and other lighting fixtures can create a more consistent viewing experience on curved or flat screens.

Achieving Accurate Color Reproduction: The Role of Lighting Directors

Ultimately, ensuring accurate color reproduction on a TV broadcast comes down to the expertise of the lighting director. Lighting professionals are responsible for orchestrating the placement, type, and intensity of lights within a studio to achieve the desired visual outcome. A skilled lighting director must understand how different types of illumination interact with camera technology, the set, and the subject being filmed.

They must also be well-versed in the cameras’ technical capabilities. For instance, some cameras may have a broader or narrower range of color sensitivity, which requires the lighting setup to be adjusted accordingly. The lighting director’s goal is to create a balanced environment where the colors captured by the camera reflect the true-to-life appearance of the scene.

In addition to technical knowledge, lighting directors must consider the artistic elements of the broadcast. For example, lighting can set a mood or convey a particular emotion, and this must be balanced with the need to reproduce colors accurately. The director’s expertise is essential in finding this equilibrium and ensuring that both the technical and creative aspects of lighting work in harmony.

In summary, while viewers may sometimes blame their TV sets for poor color quality during broadcasts, the real issue often lies in the studio’s lighting setup, camera technology, or home lighting conditions. Lighting in television production is far more critical than most people realize, influencing how images are captured, how colors are reproduced, and, ultimately, how viewers experience the broadcast. By paying attention to proper lighting techniques and understanding the interaction between light and camera technology, professionals can ensure that the final product is visually stunning and accurate to life.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.