Going Back in Time

Modern lighting for TV sets has come a long way from the Golden Age of Television of the 1950s. Today’s lighting use innovative LED lighting, technologically advanced cameras, and almost everything is operated by highly advanced computer systems.

TVs of the1800s were rudimentary appliances that more closely resembled an overhead projector. The first electric TV wasn’t invented until 1927 and even as late as 1947, few households could afford one. The first TV station was W3XK and it aired its first broadcast on July 2, 1928, but it wouldn’t be until 1938 when TVs were produced for home use.

The lighting during early broadcasts was bulky and cumbersome to set up, extremely hot to work under, and resulted in images that looked dull, flat and grainy. Part of that appearance was due to the flat lighting system that was in use. It created illumination that required less lighting, fewer pieces of equipment, and was designed to save money.

Another element that affected lighting and image quality was the cameras used. The entire industry was breaking new ground and it was expensive to deliver a broadcast. Artificial lighting hadn’t been widely adopted as it had been in the cinema and still photography. Studios relied primarily on natural sunlight for illumination.

Arc lights and mercury vapor lights were the primary types of studio lighting that was used for indoor sets. Incandescent lights were later introduced in conjunction with the other two. The newsreels of the war in the 1940s broke new ground by using photofloods and it was adopted in studios.

The bright illumination of an entire set was still the preferred method. It was Desi Arnaz, husband of Lucille Ball, who helped change illumination methods. Arnaz had vision and understood the lighting techniques used in cinema. He pressured studio executives to bring Oscar-winning cinematographer, Karl Freund, on the set to create the illumination for the hit TV show “I Love Lucy.”

It wasn’t until broadcast studios began emulating the lighting and camera techniques used in cinema that images began to change for TV viewers. Broadcast TV was simply shades of black, white and gray, which further added to the flat, grainy look of early TV images.

The first color TV broadcast was aired by CBS on June 25, 1951. It required different lighting techniques and camera angles that eventually evolved into the LED illumination, advanced cameras, and computer-controlled lighting that results in images that makes viewers feel as if they’re in the studio.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

            

Why Hire A Lighting Director?

If you’re planning on producing great looking live events for television broadcast, ensuring the lighting is just right is vital if you want your work to look and feel professional.

When it comes to lighting, as much time should be spent on planning the lighting as is spent on other areas of the production. With plenty of experience behind them and an intimate knowledge of every aspect of studio and event illumination, a professional Lighting Director will quickly become one of the most important people on your set.

What is the difference between a lighting technician and a lighting director?

Lighting technicians are also called ‘sparks’ and are responsible for setting up and operating equipment under the supervision of a Lighting Director.  Whilst they are very skilled in their own right, lighting techs are generally responsible for rigging up lighting equipment, carrying out lighting tests, positioning lights during shoots, and managing the inventory of bulbs and filters. It is the Lighting Director that makes the big creative decisions about how best to light the set, and they are hired to call upon all of their expert technical knowledge and creative flair. It is also the job of the Lighting Director to create detailed lighting plans that the “sparks” will follow when setting up.

How Does The Lighting Director Create A Lighting Plan?

To create an effective lighting plan, the Lighting Director will need to liaise with various other professionals involved in the production.  To get a good understanding of the design and feel of each piece, the Lighting Director will need to spend time with both the Director and the Designer of the production.

It’s not just how the lighting should look that is important, it is also knowing exactly when it should change in line with the action on stage or in front of the camera.  A Lighting Director will, therefore, need to get to know the script and storyline in order to compile a cue list to ensure that lighting effects are changed at the right time.

With all this information behind them, the Lighting Director can create a comprehensive plan that sets out exactly which kind of lighting should be used and when.

What Type Of Lighting Should Be Used On Set?

Again, this is where a Lighting Director comes into their own.  Anyone can add stage lighting and hope for the best, but an experienced Lighting Director will be able to choose lighting that not only looks amazing on camera but is also safe for the conditions on set.  Knowing exactly where lighting rigs should be positioned is also a skill that comes with plenty of experience. From lanterns to LED lights and everything in between, an experienced Lighting Director will know which lights work best for every scene.

Lighting Directors Are Artists In Their Own Rights

More and more successful producers understand the importance of hiring an experienced Lighting Director for their productions and events.  With a plethora of skills needed to create great lighting, including technical knowledge, an understanding of stagecraft and the ability to comprehend the overall design vision, Lighting Directors are creating truly amazing cinematic action, across a wide range of genres.

If you would like to find out more about our Lighting Director services, speak to us today at (561) 368-0101.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.