Filming in Nature

There’s a reason that nature filmography, especially of animals, is so highly prized. The shots can be incredibly difficult to capture. Cinematographers must first scout a location and even be prepared for hours of waiting while battling all the variables that Mother Nature can throw at them.

Many cinematographers are turning to assistance from drones to capture animal subjects in their natural habitat and obtain aerial shots. Drones can be equipped with different types of cameras, provide unique angles, and allows video capture that minimizes the danger to humans. However, drones are subject to the same types of environmental problems as traditional equipment.

Filmography is a day and night time endeavor, depending upon the subject. When filming at night, cinematographers may need a combination of remote, light intensifying starlight, and infrared cameras, along with thermal imaging.

Extremes of cold are challenging for people and are particularly hard on film equipment. From lights to cameras and batteries, they can all fail at a critical juncture. Those filming in very cold climates will benefit from bringing additional parts, batteries, and taking precautions that provide ways to warm equipment. It can be as simple as warming batteries with body heat or filming in short bursts.

Heat extremes can be encountered in jungles, deserts and grasslands. Aside from taking additional parts that can be interchanged if one fails, a space blanket can be used to shade and reflect heat from delicate equipment. Coolers are effective when power is available to operate them. Equipment will require protection from blowing sand or moisture in jungle environments. Don’t charge batteries if they’re hot.

Some natural phenomena, such as fog, clouds, rain and sun, can actually be used to an advantage in filming. It’s imperative that cameras and any equipment be waterproof for filming in locations that are prone to fog and unexpected rain.

In fog and snow, different camera settings will be required to pick out details rather than showing a solid wall of gray or losing the subject in the “noise” that snow creates. Clouds can appear quickly and while they can be great to mask overly bright sunlight, always travel with appropriate illumination methods to counter their effects.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

Makeup and Set Lighting

The right makeup techniques combined with set lighting can make all the difference in the world in how someone on camera is perceived. It’s one of the reasons why certain makeup artists are in such high demand. They have the knowledge, experience and expertise to know the type of makeup techniques that will best fit their subject in conjunction with the lighting being used.

Makeup professionals for TV and film do far more than enhance a celebrity’s appearance. They have a unique understanding of how different skin colors will look under specific types of lighting. The type of illumination that will be used on a set helps determine the colors and amount of makeup that will be used on each individual actor. Makeup artists work closely with directors, production designers and lighting specialists to achieve the desired look for everyone in front of the camera.

Many celebrities would be unrecognizable on the street. The appearance they present on camera is due to skillful lighting and talented makeup artists. All illumination methods aren’t created equal and neither are cameras. Certain types of lighting can make flaws more apparent or create unwanted skin coloration. Cameras can experience difficulty in detecting colors accurately.

As new lighting options have improved, the role of a makeup artist on-set or in the studio has become even more critical. The advent of high-definition TV has further increased the need for highly-talented makeup artists, since the skin’s every pore has the potential to be on display. The makeup used must make the subject look natural and enhance their physical attributes within the framework of the lights and camera.

Lighting specialists and makeup artists are two of the unsung heroes of TV and film production. They have the same goal, to show subjects in the best possible way. One accomplishes that through their lighting techniques, the other through the application of complementary makeup.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Lighting can Make or Break Your Event

Everyone has experienced the disappointment and frustration of viewing a special event, only to discover upon playback that the once-in-a-lifetime event is too dark, there are distracting shadows, or glare. Proper lighting techniques and a thorough understanding of how illumination works is essential.

You want lighting that warms the environment and emulates natural illumination. The lighting sets the tone and mood for any event, whether it’s a wedding, seminar, trade show, or political rally. Always do a visual sweep of the venue you’ll be lighting. That examination will tell you where dark corners and shaded areas will occur and the type of lighting that’s already available.

It’s also essential as a lighting director to know if existing lights can be lowered or if any special illuminating features are already in place. That walk-through will also provide you with the lay of the land in regard to where the subjects and/or guests will be.

It’s important to talk with the company that will be doing the filming. The type of film and equipment used will have a bearing on the lighting and layout. Depending on the event, you may need spotlights or lower level illumination at various points throughout to create the correct ambiance.

Illumination has the power to reinforce décor, theme and mood whether you’re lighting a sporting event, a podcast, product launch, or a corporate gathering. While it’s important to highlight the principals of the event, you also need to plan for audience comfort. Illumination that blinds viewers won’t be appreciated.

Ultimately, no one will remember the lighting after the event – unless it was done poorly. What they will recall is how beautiful the bride looked or how the event made them feel. In many instances, the audience won’t even be able to put their finger on exactly what it was about an event that stood out for them because everything was perfect – but the lighting director will know.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Lighting Production Success from Coast to Coast

One of the keys to successfully illuminating any venue is having the equipment needed ready to go and use upon arrival at the destination. To accomplish that, lighting directors need equipment that’s ready to travel. It needs to be compact, lightweight, durable and adjustable to meet the variety of requirements that may be encountered.

Every lighting director has their favorite equipment, so there’s no one-size-fits-all go-bag. Each project will have specific requirements dependent upon variables such as the locale and budget, whether it’s a documentary in the desert or a newsfeed from a mountaintop. Each illumination expert needs to experiment and assemble a kit that works best for them, but there are a few things that will be on the list of must-have items.

One of the greatest innovations for modern lighting is LED lights. They require considerably less space and emit more illumination with less equipment. They’re more economical to operate and lightweight, enabling them to be moved and positioned in less time and with fewer people.

Air travel isn’t cheap. Add to that the cost of transporting production equipment and the cost can quickly skyrocket. The gear that’s taken will need to be easily maneuverable so it won’t cost a fortune to move. Above all, ensure it’s packed safely and securely. Smart lighting specialists travel light, but take everything they think they might need for multiple contingencies.

The crew responsible for operating all the equipment is equally important. It makes the entire process go quicker and smoother if it’s people that the illumination master has worked with before. It’s even better if they’ve worked in the types of conditions in which shooting will be conducted. They’ll know what to expect and have workarounds if needed to alleviate any difficulties that arise.

Production success is dependent upon the lighting director being able to plan ahead and utilize equipment that meets the greatest variety of needs in multiple conditions. It needs to be light, portable and utilize modern methods for savings and ease of use.

If you have the need for lighting equipment and design far away from home base, Frank Gatto and Associates can help.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Hiring the Right Lighting Designer

Lighting is an essential element for videographers at weddings to sporting events for broadcast networks. It’s an art and a highly specialized field that requires extensive knowledge of how light works in different environments to the properties of the film being used. Hiring the right lighting director requires some research.

It may seem like a minor consideration, but choosing a lighting director familiar with LED lighting systems should be a priority. LED lighting is brighter, yet offers a softer illumination that will enhance the appearance of the subjects. Another benefit is that LED lights don’t produce as much heat as old-fashioned methods so people stay more comfortable and LED lights use less power, making them environmentally friendly.

A lighting professional will have the equipment needed to reflect light into dimly lit areas for a uniform appearance that prevents unwanted shadows and dark spots. The right illumination is essential for filming and it also ensures that still photos are perfect memory-makers or appropriate for promotional purposes.

A lighting designer shouldn’t be confused with the services of other electrical professionals. A lighting designer views environments with the eye of an artist and combines that with a variety of technical skills in multiple disciplines. They can provide spotlighting, colored illumination, strobes, lasers, and can time illumination to music and other cues. Lighting designers set moods, establish ambiance, and direct the focus of audiences or attendees.

The value, experience and knowledge the right lighting designer brings to any project will make the difference between a ho-hum event and one that’s an unmitigated success. A lighting designer understands the unique interplay of illumination in different environments and is experienced in lighting and filming techniques for occasions ranging from corporate events and professional films to sporting events and red carpet galas.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.