Category: Lighting Directors

Lighting Design Jobs

Posted on by J3551CA

The interplay of illumination in any production is a significant contributor to the mood, how it will appear on screens or in person, and the comfort of the people working under those lights. Lighting directors have a wide range of work options and they can choose to specialize in particular fields.

Establishing the correct lighting for any production includes working with a diverse range of industry professionals ranging from costume designers and sound designers to choreographers and set designers. They utilize their wealth of knowledge to ensure optimal visibility while maintaining safety and minimizing costs.

Illumination is a key element for any project and the venues are almost endless. Lighting directors can find themselves in studios, at the Olympics, under water, or in the jungle providing lighting for a documentary.

Lighting directors maximize the potential and power of light. Advances in technology, the digital age, and an increasing tendency for people to make every event an extravaganza has opened new possibilities and exciting opportunities for lighting directors that include the following.

  • Theater
  • TV
  • Concerts
  • Sports
  • Movies
  • Corporate events
  • Product launches
  • Fashion shows
  • Political rallies
  • Weddings
  • Cruise ships
  • Museum art exhibitions

In recent years, exterior lighting for an increasing number of structures and architectural features have become popular. The Empire State Building is a prime example and those types of projects require the expertise of a lighting director. As with any project, it requires efficient and cost-effective solutions, along with the coordination of colors and even images.

Those that aspire to the level of lighting director should be prepared for rising early, working late, and ending the day exhausted. There’s no “typical” day for a lighting director. The work can be physically and mentally taxing, but seeing the fruits of their labors and how it affects others can be one of the most rewarding experiences ever.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

Lighting Technician are Essential

Posted on by J3551CA

Lighting is a fundamental element in any production, whether it’s film, television, theater, or live events. The way light interacts with a scene or performance can dramatically alter the audience’s perception and mood, making it a crucial tool in storytelling. Once a lighting plan has been developed by the lighting director, the next step is to ensure the plan is executed to perfection. This is where the expertise of a lighting technician becomes indispensable.

A lighting technician plays a vital role in any production crew. From positioning light sources to ensuring equipment safety, their responsibilities extend far beyond flipping switches or setting up stands. They must have technical expertise, creative problem-solving abilities, and an extensive understanding of safety protocols—especially when working with heavy and potentially hazardous equipment. In modern production environments, the role of lighting technicians has evolved, requiring a unique blend of technical know-how and artistry.

The Importance of Lighting Technicians in Production

Once the lighting director has established the technical set-up and design plan, it’s up to the lighting technician to bring that plan to life. Lighting technicians are responsible for ensuring that lights are positioned correctly, managing any technical equipment, and adjusting setups based on changing needs during the production. They are not only expected to be skilled in handling complex lighting rigs, but they must also have a strong understanding of how lighting interacts with the camera or audience’s viewpoint.

Lighting technicians work closely with a wide range of professionals in the production, from directors and cinematographers to set designers and actors. Their ability to collaborate and adapt to the needs of various team members is crucial to the success of a production. If something goes wrong or adjustments are needed on the fly, lighting technicians are the first to jump in with solutions.

Essential Skills for Lighting Technicians

Being a lighting technician isn’t just about technical expertise. It’s a physically demanding job that also requires creativity, quick thinking, and collaboration. Here are some of the most critical skills lighting technicians need to succeed:

  • Ability to Work Under Pressure: Productions are fast-paced environments where things can change in an instant. Lighting technicians must remain calm under pressure and be prepared to address challenges on the spot.
  • Ability to Meet Deadlines: Productions often operate on tight schedules, and delays in lighting setup can throw off an entire shoot or performance. Technicians need to manage their time effectively to meet strict deadlines.
  • Teamwork: A lighting technician works closely with other crew members, including lighting directors, camera operators, and set designers. Being able to collaborate and communicate effectively is essential to ensure a seamless production.
  • Attention to Detail: Lighting requires precision, as even slight adjustments to the position, angle, or intensity of a light can alter the scene dramatically. Attention to detail is crucial for ensuring the desired visual effect is achieved.
  • Creativity: While the lighting director provides the overall plan, lighting technicians often need to think on their feet and come up with creative solutions to problems that arise during setup or production.
  • Excellent Communication Skills: Whether it’s conveying ideas to the lighting director or coordinating with other crew members, strong communication skills are a must for lighting technicians.
  • High Level of Physical Fitness: The role of a lighting technician can be physically demanding. Technicians often work long hours, carrying heavy equipment, climbing ladders, or working in challenging environments. Physical fitness is important for maintaining the stamina required on set.
  • Manual Dexterity: Handling lighting equipment requires precise physical movements, from connecting cables to adjusting lights by hand. Technicians need to be skilled in working with their hands to ensure everything is positioned correctly.
  • Organizational Skills: With multiple lighting setups, cables, and equipment to manage, organizational skills are essential for ensuring that everything is in place and ready for use when needed.
  • Technical Knowledge of Lighting: A thorough understanding of different types of lighting, filters, rigs, and consoles is fundamental for a lighting technician. This technical expertise allows them to execute the lighting director’s plan with precision.
  • Time Management Skills: Production schedules are tight, and delays in lighting setups can have a ripple effect across the entire crew. Technicians must prioritize tasks effectively to ensure all lighting needs are met within the required timeframe.
  • Understanding and Familiarity with Equipment: From traditional tungsten lights to advanced LED setups, lighting technicians must be familiar with a wide range of lighting equipment, including their proper use and maintenance.

The Evolution of the Lighting Technician Role

In the past, many lighting technicians began their careers in entry-level positions, such as transporting equipment or assisting with basic tasks on set. Over time, they would work their way up the ranks, gaining experience and learning the trade hands-on. While this still holds true in some cases, the lighting industry has evolved significantly. Today’s production environments are much more complex, with advancements in lighting technology and production techniques requiring specialized knowledge and training.

For many lighting technicians, a formal education in theatrical production arts or a related field is now a common requirement. A bachelor’s degree provides the foundational knowledge and technical expertise necessary to work in modern, high-tech environments. Understanding computer-controlled lighting systems, digital consoles, and advanced lighting techniques is often a must in today’s industry.

This evolution in the role has also expanded the career opportunities available to lighting technicians. They’re no longer confined to working solely in traditional settings like theater stages or film sets. Today, lighting technicians find employment across a range of industries, including live concerts, corporate events, and even theme parks. Anywhere lighting is needed to enhance a performance, event, or experience, skilled lighting technicians are in demand.

Responsibilities Beyond Setup

The role of a lighting technician doesn’t end once the lights are set up. Depending on the production and budget, lighting technicians may also be responsible for operating the lights during the performance. This can involve manual operation of spotlights, adjusting lighting levels, or programming and operating lighting cues through computer consoles.

In many cases, lighting technicians are also responsible for the ongoing maintenance of lighting equipment. Ensuring that lights are functioning correctly, repairing any damaged equipment, and conducting regular inspections to prevent malfunctions is all part of the job. This adds an extra layer of responsibility, as any issues with lighting during a performance or shoot can be detrimental to the production.

Working on Location vs. Studio Setups

Lighting technicians may find themselves working in a variety of different environments. Studio sets offer a controlled space where lighting setups can be carefully planned and executed. These environments allow for the use of complex rigs and precise adjustments.

However, many productions take place on location, which presents its own set of challenges. When working on location, lighting technicians need to be adaptable and resourceful, often working in less-than-ideal conditions. Weather, time of day, and other environmental factors can all affect how lighting is set up and maintained. Regardless of the setting, the lighting technician’s role remains the same: ensuring that the lighting is executed safely and effectively, enhancing the overall production quality.

The Future of Lighting Technicians and Lighting Directors

As technology continues to advance, the role of lighting technicians and lighting directors will likely continue to evolve. The introduction of LED lighting, automated systems, and computer-controlled consoles has already transformed the industry, and future innovations will bring even more changes. Those who stay ahead of the curve by continually learning new techniques and technologies will find themselves in high demand.

Whether working in film, theater, or live events, lighting technicians and lighting directors play an essential role in the success of any production. Their ability to transform a set or stage with light is a unique skill that requires a blend of technical expertise, creativity, and adaptability. For those who love the challenge of creating visually stunning environments, a career as a lighting technician offers both professional fulfillment and exciting opportunities.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

Frank Gatto Lighting Offers a Team of Lighting Professionals

Posted on by J3551CA

Everyone has experienced an ill-lit venue where the light was in their eyes or it was so dark they couldn’t view the action. Correct illumination should be considered a guest at any event and Frank Gatto Lighting provides a team of lighting professionals for any event or production.

Frank Gatto pioneered a variety of techniques in the lighting industry and has won three Emmy Awards for his groundbreaking lighting design. The experts at Frank Gatto Lighting have worked around the world, bringing illumination to weddings, nature cinematography, major sporting events, concerts and award ceremonies.

The company has provided lighting for major networks around the globe, from HBO, Showtime and ESPN to Telemundo and Univsion, along with all the prime time TV networks. Frank Gatto’s work can be seen at venues that includes the World Series, NFL Countdown and Ultimate Fighting Championships. The company’s unique positioning in Florida enables it to provide services in South America and the Caribbean.

The multi-faceted company has also provided services for locations encompassing the STAPLES Center, the sports and entertainment center of the world, along with Madison Square Gardens and theatre productions. Turnkey lighting services and the use of efficient and cost effective LED technology has made them the No. 1 choice for any venue.

Frank Gatto Lighting also provides lighting evaluations and consultations for illuminating sets in the planning and preproduction phase. The company’s founder is also a highly in demand lighting master that conducts seminars on TV lighting, news sets, and sporting events.

With more than 30 years of experience in lighting venues around the globe, the name Frank Gatto Lighting has become synonymous for the highest level of professional lighting within a multitude of industries. He willingly shares his knowledge with others through his seminars to improve professional lighting opportunities for everyone.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

      

Taking Control: Becoming a Confident Lighting Director

Posted on by J3551CA

Confidence comes from knowledge, experience, and getting out of your comfort zone. Becoming a confident lighting director begins with obtaining the appropriate education and thoroughly understanding your craft. By the time most lighting directors make their career decision, they’ve already been playing and experimenting with lights and cameras for years.

Practice makes perfect and once you have the educational skills, work every job available to get the practical experience you’ll need. Education is essential, but it’s still difficult to get started in the business without some practical experience. No knowledge is ever wasted. Illumination of any event is an art and even though you won’t be the focus of the activities, your work will be center stage.

Innovation is also the mark of a confident lighting director. You’ll discover that you’ll often be asked to do much with little. Use what you’ve learned and pair it with your own ideas to illuminate venues and create special effects. Every gig is different and provides unique opportunities to expand your repertoire.

Be prepared for the unexpected, especially if you’re working with an event with which you’ve had minimal experience. Lighting directors are often required to make snap decisions and adapt to changes on the fly. Some ideas and requests may sound spectacular, but have no place in real-world applications. Always be honest with clients.

Practice, test and practice some more. Great lighting directors utilize their knowledge, talent and experience to constantly play with techniques, methods and equipment. What you conceive of today may be the solution to a specific illumination problem of the future.

Above all, get out of your comfort zone. If you typically work with high-end weddings, start by providing illumination for concerts or sporting events on a small scale. It provides you with perspective and valuable experience that you’ll take with you throughout your career.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101
Email: frank@frankgattolighting.com 
We can be found on Social Media at the following links.

            

How to Become a TV Lighting Designer

Posted on by J3551CA

If you’re one of the people that have a fascination for lighting and dream of a career in TV, be prepared to learn much more than techniques and methods. Your ultimate job will be to create and design lighting solutions that are innovative, cost-effective and energy-efficient for the production you’re working on. That may entail illuminating indoor and outdoor environments.

You’ll need a comprehensive education that encompasses topics ranging from architecture and theatre history to art and literature, along with industry-specific software. Education requirements can vary widely by employer and you may need a minimum of a bachelor’s degree, while other companies will want a master’s degree.

High school theatrical productions are a good place to begin learning and don’t forget to look for internship opportunities whether you’re in high school or college. Film and photography clubs at the high school level will assist in understanding the interplay of light in different atmospheres.

Many high schools perform stage productions that provide valuable experience. Even small communities often have theatre groups that would welcome assistance designing and creating sets. Lighting tradeshows are also an opportunity to learn about the newest techniques, technology, and methods. Manufacturers demonstrate their products and experienced design professionals are often in attendance to hold discussions.

Math is also an essential skill since one of your responsibilities as a lighting designer will be to create the most cost-efficient projects. The grounding in math will also be utilized to measure and calculate the illumination required and the positioning of different types of lights for each project.

The future illumination you’ll provide will incorporate multiple factors that include the size of the venue to whether it’s an event that takes place in the daylight or nighttime. You’ll also need to know how to perform lighting simulations and a myriad of other tasks.

A TV lighting designer has a wealth of opportunities for creativity and innovation within the industry. It’s also a profession that offers a high degree of satisfaction that will enable you to stretch your talent and skill to the limit.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

How Lighting can Affect Colors Seen on TV

Posted on by J3551CA

We’ve all experienced watching a TV broadcast where the colors didn’t seem right. Maybe the hues were off, the images looked washed out, or shadows dominated the screen, leaving viewers questioning if it was time to replace their television. More often than not, the issue isn’t the TV itself but the lighting setup used during the broadcast. The problem can originate from various factors, such as the studio’s lighting arrangement, the camera technology, or even the lighting conditions in our homes. In some cases, curved screens can also distort the light in brightly lit environments, adding to the visual confusion.

How Lighting Affects TV Broadcast Quality

The quality of a television broadcast depends on several key factors, and lighting plays a critical role in reproducing images and colors on the screen. When lighting is not managed properly, it leads to color distortions that can make the viewing experience less enjoyable and visually off-putting. Let’s explore some of the core reasons why lighting plays such a significant role in broadcast quality.

1. Studio Lighting: The Core of the Issue

When the lighting problem originates in the studio, viewers can do little to fix it. In these cases, the issue stems from how lighting is set up to interact with the cameras used to capture the images. Broadcast studios rely on a highly controlled lighting environment to create the best possible picture quality. If the lighting is poorly positioned, unfocused, or the wrong type is used, it will directly affect how colors appear to audiences at home.

One common issue is the type of illumination being used in the studio. Different lights emit varying qualities of light, which can cause the camera to capture colors inaccurately. For instance, specific lighting setups may not highlight details or tones accurately, leading to unnatural skin tones, incorrect hues, or even dullness in the overall picture. This problem can be exacerbated if the filters applied to the studio lights are not suited for the job.

Lighting professionals need to be precise about where they place lights, what type of illumination they choose, and how they focus them to ensure the cameras capture the images as realistically as possible. Inadequate lighting or mismanagement of the lighting setup can lead to visual inconsistencies that ultimately affect the viewing experience.

2. Brightness and Color Accuracy

Another important aspect of lighting that affects TV broadcasts is brightness. The amount of light emitted in a studio setting can drastically alter the appearance of colors on screen. Too much illumination, for example, will create a washed-out effect, making images appear dull and devoid of rich contrast. This is why broadcasts shot under excessively bright lighting often look flat or lack the depth and vibrancy viewers expect.

On the other hand, too little light can result in unwanted shadows that obscure details and make it difficult for cameras to capture true-to-life colors. Insufficient lighting can also cause colors to appear darker or more muted than they should be. Striking the right balance in brightness is essential for producing a high-quality broadcast that accurately reflects the subject matter’s color and form.

3. The Role of Cameras in Color Reproduction

While lighting plays a foundational role in determining the quality of a broadcast, cameras also significantly impact how colors appear. Not all cameras detect and process color wavelengths in the same way, an important factor that professional lighting experts consider when designing the lighting scheme for a broadcast.

Cameras are designed to detect and capture color using a model based on primary colors, but they can only do so within their sensors and technology limitations. Suppose a camera needs help to detect a specific shade or hue. In that case, it may estimate the color based on primary colors or shades of gray, which can result in an inaccurate representation of what is being filmed.

Professional lighting experts work closely with camera operators to ensure the cameras can adequately capture the color spectrum within the lit space. This involves careful consideration of both the lighting equipment and the cameras’ technical capabilities.

4. Curved Screens and Ambient Lighting

In addition to studio lighting and camera technology, the environment in which viewers watch TV can also influence how colors appear on the screen. Curved screens, for instance, can distort light in brightly lit environments, leading to an uneven or skewed picture quality. This is because curved screens are designed to offer an immersive viewing experience by wrapping the image around the viewer’s field of vision. However, when placed in a room with significant ambient lighting, reflections can bounce off the screen in unusual ways, distorting the colors and contrast on display.

To mitigate this issue, viewers should be mindful of the lighting in their home environment. Dimming ambient light sources or rearranging the placement of lamps and other lighting fixtures can create a more consistent viewing experience on curved or flat screens.

Achieving Accurate Color Reproduction: The Role of Lighting Directors

Ultimately, ensuring accurate color reproduction on a TV broadcast comes down to the expertise of the lighting director. Lighting professionals are responsible for orchestrating the placement, type, and intensity of lights within a studio to achieve the desired visual outcome. A skilled lighting director must understand how different types of illumination interact with camera technology, the set, and the subject being filmed.

They must also be well-versed in the cameras’ technical capabilities. For instance, some cameras may have a broader or narrower range of color sensitivity, which requires the lighting setup to be adjusted accordingly. The lighting director’s goal is to create a balanced environment where the colors captured by the camera reflect the true-to-life appearance of the scene.

In addition to technical knowledge, lighting directors must consider the artistic elements of the broadcast. For example, lighting can set a mood or convey a particular emotion, and this must be balanced with the need to reproduce colors accurately. The director’s expertise is essential in finding this equilibrium and ensuring that both the technical and creative aspects of lighting work in harmony.

In summary, while viewers may sometimes blame their TV sets for poor color quality during broadcasts, the real issue often lies in the studio’s lighting setup, camera technology, or home lighting conditions. Lighting in television production is far more critical than most people realize, influencing how images are captured, how colors are reproduced, and, ultimately, how viewers experience the broadcast. By paying attention to proper lighting techniques and understanding the interaction between light and camera technology, professionals can ensure that the final product is visually stunning and accurate to life.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Lighting can Make or Break Your Event

Posted on by J3551CA

Everyone has experienced the disappointment and frustration of viewing a special event, only to discover upon playback that the once-in-a-lifetime event is too dark, there are distracting shadows, or glare. Proper lighting techniques and a thorough understanding of how illumination works is essential.

You want lighting that warms the environment and emulates natural illumination. The lighting sets the tone and mood for any event, whether it’s a wedding, seminar, trade show, or political rally. Always do a visual sweep of the venue you’ll be lighting. That examination will tell you where dark corners and shaded areas will occur and the type of lighting that’s already available.

It’s also essential as a lighting director to know if existing lights can be lowered or if any special illuminating features are already in place. That walk-through will also provide you with the lay of the land in regard to where the subjects and/or guests will be.

It’s important to talk with the company that will be doing the filming. The type of film and equipment used will have a bearing on the lighting and layout. Depending on the event, you may need spotlights or lower level illumination at various points throughout to create the correct ambiance.

Illumination has the power to reinforce décor, theme and mood whether you’re lighting a sporting event, a podcast, product launch, or a corporate gathering. While it’s important to highlight the principals of the event, you also need to plan for audience comfort. Illumination that blinds viewers won’t be appreciated.

Ultimately, no one will remember the lighting after the event – unless it was done poorly. What they will recall is how beautiful the bride looked or how the event made them feel. In many instances, the audience won’t even be able to put their finger on exactly what it was about an event that stood out for them because everything was perfect – but the lighting director will know.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Lighting Lingo

Posted on by J3551CA

Every industry has its own set of terminology and language. Those in other professions would be at a loss to explain what a Fresnel, gaffer or gobo is in the lighting lingo common within the TV and movie industry. The following provides a sample of the terminology used by industry pros when illuminating venues and events around the world.

  • Gaffer – The person that oversees operation or luminaire equipment.
  • Luminaire – An electric light unit.
  • Gobo – This is a general term for an opaque item that’s placed in front of a luminaire to block all or a portion of the beam.
  • Color temp – Rated on the Kelvin scale, it’s the color appearance (warm or cold) of different types of lighting, from candlelight and tungsten lights to electronic flash and a clear, sunlit day.
  • Fresnel – It’s a flat lens constructed in multiple concentric rings to reduce the loss definition and used to adjust the focus from spotlight to floodlight.
  • Card – A circuit board.
  • Saturation – The amount of white light – from low to high levels – that affect the overall color.
  • Graduated scrim – A round and framed metal screen, it increases or decreases density from one side of a frame to the other.
  • Barn doors – It’s a device with adjustable flaps, attached to the front of a luminaire to shape or block the beam as needed.
  • Egg crate – A rectangular device with partitions attached to luminaires to reduce glare.
  • Accent light – Lighting to highlight a person in a scene through the intensity of illumination or color.
  • Key light – The primary source of light used to establish the mood in a scene.
  • Fill lights – Supplemental lighting used to fill in shadows.
  • Back light – Illumination to artfully separate the actor or subject from the background.
  • Bleed through – An effect created by the intensity of illumination.
  • Cold mirror – This is a mirror that transmits infrared radiation while blocking light.
  • Snoot – A metal tube in various sizes that’s mounted to luminaires to control light spillage.

There are hundreds of other lighting lingo terms used within the illumination industry that every member of a professional lighting crew will know and use. It may seem confusing at first, but it’s the language of lighting that every professional will know.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Lighting Production Success from Coast to Coast

Posted on by J3551CA

One of the keys to successfully illuminating any venue is having the equipment needed ready to go and use upon arrival at the destination. To accomplish that, lighting directors need equipment that’s ready to travel. It needs to be compact, lightweight, durable and adjustable to meet the variety of requirements that may be encountered.

Every lighting director has their favorite equipment, so there’s no one-size-fits-all go-bag. Each project will have specific requirements dependent upon variables such as the locale and budget, whether it’s a documentary in the desert or a newsfeed from a mountaintop. Each illumination expert needs to experiment and assemble a kit that works best for them, but there are a few things that will be on the list of must-have items.

One of the greatest innovations for modern lighting is LED lights. They require considerably less space and emit more illumination with less equipment. They’re more economical to operate and lightweight, enabling them to be moved and positioned in less time and with fewer people.

Air travel isn’t cheap. Add to that the cost of transporting production equipment and the cost can quickly skyrocket. The gear that’s taken will need to be easily maneuverable so it won’t cost a fortune to move. Above all, ensure it’s packed safely and securely. Smart lighting specialists travel light, but take everything they think they might need for multiple contingencies.

The crew responsible for operating all the equipment is equally important. It makes the entire process go quicker and smoother if it’s people that the illumination master has worked with before. It’s even better if they’ve worked in the types of conditions in which shooting will be conducted. They’ll know what to expect and have workarounds if needed to alleviate any difficulties that arise.

Production success is dependent upon the lighting director being able to plan ahead and utilize equipment that meets the greatest variety of needs in multiple conditions. It needs to be light, portable and utilize modern methods for savings and ease of use.

If you have the need for lighting equipment and design far away from home base, Frank Gatto and Associates can help.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.

            

Lighting Director Training

Posted on by J3551CA

Many people that are fascinated with the nuances of lighting one day dream of becoming a master of the skill and working for TV, film or the Broadway stage. There’s a lot of practical knowledge that goes into the skill set of a lighting director, coupled with artistic vision.

A lighting director is responsible for all the aspects of lighting a stage, whether it’s in Hollywood or a royal wedding. It’s the individual that designs and arranges the lighting to create the mood for any type of production. They’re cognizant of lighting techniques, budgetary requirements, and works with everyone from actors and musicians to costume designers to discern the ideal placement for lights, the colors, and the safety of all concerned.

Those that aspire to be a lighting director will need to meet a variety of educational requirements that include a Bachelor’s degree in theatre production or lighting design. Depending upon what line of work the lighting director chooses, there are additional requirements for different levels of expertise. They’ll also need experience and training in electrical safety and construction.

A Bachelor of Fine Arts degree program will include the design aspect and the technical elements. They can obtain a Master of Fine Arts in lighting design to continue their education. A master’s program will include classroom work and hands-on training that includes lighting technology and history.

Lighting directors must have technical skills with computer programs used within the lighting industry. A variety of universities and college have internship programs that enable budding lighting directors to work under professionals in the field, gain experience, and build their portfolios.

Lighting directors are the architects of the lighting world. The most revered lighting directors in the world are creative visionaries and innovators that work in venues that include broadcast media, live sporting events, and have lit pathways on the red carpet and royal events.

Frank Gatto & Associates, Inc. are specialists in lighting for television events of all kinds.  If you have an event that needs expert lighting, please call us today to see how we can help.

Phone: 561-368-0101

Email: frank@frankgattolighting.com 

We can be found on Social Media at the following links.